In this Issue

Table of Contents

Editor’s Notes

pp. 1-2
DOI: https://doi.org/10.2979/blc.2023.a883802
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Still Got the News: Fifty Years Out on Finally Got the News

pp. 3-4
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A Wide Shot: Expanding the Frame on Melvin Van Peebles

pp. 5-6
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“That’s the Difference, I Am Fully Engaged With Art”: Renée Baker on the Practice of Scoring Silent Film and the Matter of “Race Movies”

Michael T. Martin
pp. 7-48
DOI: https://doi.org/10.2979/blc.2023.a883805
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Filming Social Death and the Fixed Position of Blackness: On L.A. Rebellion Director Julie Dash’s Four Women

Rachal Burton
pp. 49-70
DOI: https://doi.org/10.2979/blackcamera.14.2.05
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Slavery and the Ambiguities of Diaspora in Haile Gerima’s Sankofa

Xavier Lee
pp. 71-91
DOI: https://doi.org/10.2979/blackcamera.14.2.06
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Protesting on Screen: Black Protest Films in the Era of #BlackLivesMatter

Jeanelle K. Hope
pp. 92-120
DOI: https://doi.org/10.2979/blackcamera.14.2.07
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The Survival of Big-Screen Cinema in South Africa

David Max Brown
pp. 121-143
DOI: https://doi.org/10.2979/blackcamera.14.2.08
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Archiving Africa: Notes for the Contemporary African Filmmaker

Paul Ugor
pp. 144-171
DOI: https://doi.org/10.2979/blackcamera.14.2.09
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The Politics of Colonization in Ryan Coogler’s Black Panther

Felisa Vergara Reynolds
pp. 172-184
DOI: https://doi.org/10.2979/blackcamera.14.2.10
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Vanishing Point: Chadwick Boseman’s Body and the Still Image

Ashley Hendricks
pp. 185-203
DOI: https://doi.org/10.2979/blackcamera.14.2.11
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The Jew, the Arab, the Black: La Haine and the Structure of Anti-Black Violence

Roy Cherian
pp. 204-226
DOI: https://doi.org/10.2979/blackcamera.14.2.12
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Remembering the Past: A Conversation with Afolabi Adesanya as Film Exhibitor

Añulika Agina
pp. 227-242
DOI: https://doi.org/10.2979/blackcamera.14.2.13
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Close-Up: Contemporary Black Horror

Katherine Tartaglia
pp. 243-251
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Vanilla Nightmares and Urban Legends: The Racial Politics of Candyman (1992)

Joan Hawkins
pp. 252-274
DOI: https://doi.org/10.2979/blackcamera.14.2.15
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“There Existed an Addiction to Blood”: Exhuming the Transtemporal Body

Jasper Lauderdale
pp. 275-294
DOI: https://doi.org/10.2979/blackcamera.14.2.16
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Get Out from the Horrors of Slavery

Delphine Letort
pp. 295-307
DOI: https://doi.org/10.2979/blackcamera.14.2.17
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The Work of Horror after Get Out

Catherine Zimmer
pp. 308-318
DOI: https://doi.org/10.2979/blackcamera.14.2.18
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Dossier: Spectacles of Anti-Black Violence and Contemporary Black Horror

Lauren McLeod Cramer, Catherine Zimmer
pp. 319-363
DOI: https://doi.org/10.2979/blc.2023.a883820
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Exploring African Women’s Cinematic Practice as Womanist Work*

Beti Ellerson
pp. 364-403
DOI: https://doi.org/10.2979/blackcamera.14.2.20
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Dune (review)

Fabio Bego
pp. 404-407
DOI: https://doi.org/10.2979/blc.2023.a883822
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Professional Notes and Research Resources

pp. 408-412
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