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Table of Contents

  1. Editor’s Notes
  2. pp. 1-2
  3. DOI: https://doi.org/10.2979/blc.2023.a883802
  4. restricted access
  1. Still Got the News: Fifty Years Out on Finally Got the News
  2. pp. 3-4
  3. restricted access
  1. A Wide Shot: Expanding the Frame on Melvin Van Peebles
  2. pp. 5-6
  3. restricted access
  1. Slavery and the Ambiguities of Diaspora in Haile Gerima’s Sankofa
  2. Xavier Lee
  3. pp. 71-91
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.06
  5. restricted access
  1. Protesting on Screen: Black Protest Films in the Era of #BlackLivesMatter
  2. Jeanelle K. Hope
  3. pp. 92-120
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.07
  5. restricted access
  1. The Survival of Big-Screen Cinema in South Africa
  2. David Max Brown
  3. pp. 121-143
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.08
  5. restricted access
  1. Archiving Africa: Notes for the Contemporary African Filmmaker
  2. Paul Ugor
  3. pp. 144-171
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.09
  5. restricted access
  1. The Politics of Colonization in Ryan Coogler’s Black Panther
  2. Felisa Vergara Reynolds
  3. pp. 172-184
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.10
  5. restricted access
  1. Vanishing Point: Chadwick Boseman’s Body and the Still Image
  2. Ashley Hendricks
  3. pp. 185-203
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.11
  5. restricted access
  1. The Jew, the Arab, the Black: La Haine and the Structure of Anti-Black Violence
  2. Roy Cherian
  3. pp. 204-226
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.12
  5. restricted access
  1. Remembering the Past: A Conversation with Afolabi Adesanya as Film Exhibitor
  2. Añulika Agina
  3. pp. 227-242
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.13
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  1. Close-Up: Contemporary Black Horror
  2. Katherine Tartaglia
  3. pp. 243-251
  4. restricted access
  1. Vanilla Nightmares and Urban Legends: The Racial Politics of Candyman (1992)
  2. Joan Hawkins
  3. pp. 252-274
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.15
  5. restricted access
  1. “There Existed an Addiction to Blood”: Exhuming the Transtemporal Body
  2. Jasper Lauderdale
  3. pp. 275-294
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.16
  5. restricted access
  1. Get Out from the Horrors of Slavery
  2. Delphine Letort
  3. pp. 295-307
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.17
  5. restricted access
  1. The Work of Horror after Get Out
  2. Catherine Zimmer
  3. pp. 308-318
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.18
  5. restricted access
  1. Dossier: Spectacles of Anti-Black Violence and Contemporary Black Horror
  2. Lauren McLeod Cramer, Catherine Zimmer
  3. pp. 319-363
  4. DOI: https://doi.org/10.2979/blc.2023.a883820
  5. restricted access
  1. Exploring African Women’s Cinematic Practice as Womanist Work*
  2. Beti Ellerson
  3. pp. 364-403
  4. DOI: https://doi.org/10.2979/blackcamera.14.2.20
  5. restricted access
  1. Dune (review)
  2. Fabio Bego
  3. pp. 404-407
  4. DOI: https://doi.org/10.2979/blc.2023.a883822
  5. restricted access
  1. Professional Notes and Research Resources
  2. pp. 408-412
  3. restricted access