In this Issue

Table of Contents

Erratum

Matthew Laube
p. 1
restricted access

The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library Mss Mus. E. 1–5)

James Burke
pp. 1-30
restricted access

From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal

Danielle Padley
pp. 31-58
restricted access

Mediated Community and Participatory Blackface in Gillette Original Community Sing (CBS, 1936–1937)

Esther M. Morgan-Ellis
pp. 59-89
restricted access

Cardew's Lessons: The Scratch Orchestra's Amateur Democracy (1967–1973)

Benjamin Court
pp. 90-113
restricted access

The Indicative Mood: A Response to Margaret Bent

Karen Desmond
pp. 114-122
restricted access

Hobrecht and His Singers by Robert Nosow (review)

Bonnie J. Blackburn
pp. 123-125
restricted access

Music Patronage in Italy ed. by Galliano Ciliberti (review)

Tim Carter
pp. 125-127
restricted access

Knowledge Building in Early Modern English Music by Katie Bank (review)

Penelope Gouk
pp. 127-129
restricted access

Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe ed. by Tatiana Korneeva (review)

Franco Piperno
pp. 129-131
restricted access

Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture by Anthony R. DelDonna (review)

Guido Olivieri
pp. 131-134
restricted access

The Comedians of the King: 'Opéra-Comique' and the Bourbon Monarchy on the Eve of Revolution by Julia Doe (review)

Hedy Law
pp. 134-136
restricted access

Beethoven and Greco-Roman Antiquity by Jos van der Zanden (review)

Marjorie Hirsch
pp. 136-139
restricted access

Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr (review)

Barbara Gentili
pp. 139-141
restricted access

Music and Moral Management in the Nineteenth-Century English Lunatic Asylum by Rosemary Golding (review)

Paul Watt
pp. 141-142
restricted access

La Musique religieuse en France au XIXe siècle: Le sentiment religieux entre profane et sacré (1830–1914) ed. by Nicolas Dufetel (review)

Katharine Ellis
pp. 143-145
restricted access

The Operetta Empire: Music Theater in Early Twentieth-Century Vienna by Micaela Baranello (review)

Tommaso Sabbatini
pp. 145-147
restricted access

Musics with and after Tonality: Mining the Gap ed. by Paul Fleet (review)

Oliver Chandler
pp. 147-150
restricted access

The Karl Muck Scandal: Classical Music and Xenophobia in World War I America by Melissa D. Burrage (review)

Percy Leung
pp. 151-152
restricted access

An Unnatural Attitude: Phenomenology in Weimar Musical Thought by Benjamin Steege (review)

John Gabriel
pp. 152-155
restricted access

Socialist Laments: Musical Mourning in the German Democratic Republic by Martha Sprigge (review)

J. Mackenzie Pierce
pp. 155-157
restricted access

D'Oyly Carte: The Decline and Fall of an Opera Company by Paul Seeley (review)

James Brooks Kuykendall
pp. 157-159
restricted access

The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions ed. by Serena Facci and Michela Garda (review)

Matthew Timmermans
pp. 159-161
restricted access

Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception by Tereza Havelková (review)

Megan Steigerwald Ille
pp. 161-164
restricted access

Thinking in and about Music: Analytical Reflections on Milton Babbitt's Music and Thought by Zachary Bernstein (review)

Andrew Mead
pp. 164-167
restricted access

The Oxford Handbook of Music and Advertising ed. by James Deaville, Siu-Lan Tan, and Ron Rodman (review)

Tom Wagner
pp. 167-170
restricted access

'Music & Letters' Awards

p. 173
restricted access

Authors of Articles in This Issue

p. 174
restricted access

Recent Titles

pp. 175-176
restricted access