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Table of Contents

  1. Richard H. Rouse (1933–2022)
  2. p. i
  3. DOI: https://doi.org/10.1353/hlq.2022.0013
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  1. The Ellesmere Chaucer: The Once and Future Canterbury Tales
  2. James Simpson
  3. pp. 197-218
  4. DOI: https://doi.org/10.1353/hlq.2022.0014
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  1. Elizabeth I on Trial: Forensic Rhetoric in George Puttenham’s Justification
  2. Sarah Case
  3. pp. 219-239
  4. DOI: https://doi.org/10.1353/hlq.2022.0015
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  1. “This Musique Hath Life in It”: Harmony in Lancelot Andrewes’s Preaching
  2. Natalya Din-Kariuki
  3. pp. 241-258
  4. DOI: https://doi.org/10.1353/hlq.2022.0016
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  1. Filling in the Blanks in Early Modern Drama
  2. Derek Dunne
  3. pp. 259-287
  4. DOI: https://doi.org/10.1353/hlq.2022.0017
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  1. Orinda and Palaemon: Katherine Philips and Francis Finch, 1650–ca. 1660
  2. Michael Edwards
  3. pp. 289-316
  4. DOI: https://doi.org/10.1353/hlq.2022.0010
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  1. Training for the Ministry: Shorthand and the Colonial New England Manuscript
  2. Theodore R. Delwiche
  3. pp. 317-346
  4. DOI: https://doi.org/10.1353/hlq.2022.0011
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Notes & Documents

  1. Envy, Beelzebub, and Paradise Lost
  2. Bradley J. Irish
  3. pp. 347-357
  4. DOI: https://doi.org/10.1353/hlq.2022.0012
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