In this Issue
Studies in American Fiction publishes reviews and articles on a wide temporal range in American fiction: from neglected and rediscovered early U.S. writers (Susanna Rowson, Leonora Sansay, James Hall) to the emergent authors of the present day (Katherine Dunn, Ana Menéndez, Monique Truong, Toni Morrison). Expect its refereed articles to feature not only major canonical works by Charles Brockden Brown, Harriet Beecher Stowe, Edith Wharton, and Thomas Pynchon, but scholarly analyses of contemporary Chicano literature and Harlem Renaissance fiction. Engendering conversations about forms of writing that do not succumb to traditional genres, SAF interrogates and redraws both generic and geographic boundaries. SAF is the only journal encompassing American literature from the North American colonial past to the United States' globalized present.
published by
Johns Hopkins University Pressviewing issue
Volume 49, Issue 2, Fall 2022Table of Contents
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View “‘There has to be a first time for everything,’ Eleanor told herself”: Delayed Adolescence and Parentification in The Haunting of Hill House
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“‘There has to be a first time for everything,’ Eleanor told herself”: Delayed Adolescence and Parentification in The Haunting of Hill House
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View Wheatley’s Writing on the Wall: Concepts of Mercy and Alternate Literary Histories in Toni Morrison’s A Mercy
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Wheatley’s Writing on the Wall: Concepts of Mercy and Alternate Literary Histories in Toni Morrison’s A Mercy
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| ISSN | 2158-5806 |
|---|---|
| Print ISSN | 0091-8083 |
| Launched on MUSE | 2024-02-23 |
| Open Access | No |
