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Table of Contents

  1. Editor’s Note
  2. John N. Duvall
  3. pp. 599-600
  4. DOI: https://doi.org/10.1353/mfs.2022.0042
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  1. Cognitive Modernisms: An Introduction
  2. Paul B. Armstrong
  3. pp. 601-618
  4. DOI: https://doi.org/10.1353/mfs.2022.0043
  5. restricted access
  1. Marcel Proust: Kinesic Styles and Consciousness as Interaction
  2. Guillemette Bolens
  3. pp. 619-638
  4. DOI: https://doi.org/10.1353/mfs.2022.0044
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  1. Deixis and Dissociation: On the Adaptive Power of Dissociated “I”s
  2. Sowon S. Park
  3. pp. 668-686
  4. DOI: https://doi.org/10.1353/mfs.2022.0046
  5. restricted access
  1. Memory as Seriality: Re-cognizing Gertrude Stein
  2. Sabine Sielke
  3. pp. 687-707
  4. DOI: https://doi.org/10.1353/mfs.2022.0047
  5. restricted access
  1. Moving Visions: Matisse’s Odalisques, Sebbar’s Shérazade, and Imagery as Emulation
  2. Michaela Hulstyn
  3. pp. 708-727
  4. DOI: https://doi.org/10.1353/mfs.2022.0048
  5. restricted access
  1. History, Cognition and Nostromo: Conrad’s Explorations of Torture, Trauma, and the Human Rage for Order
  2. Richard J. Ruppel
  3. pp. 749-770
  4. DOI: https://doi.org/10.1353/mfs.2022.0050
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  1. The New Feeling Omniscience: Imperial Affects, Publicness and Narrative Style in Mrs Dalloway
  2. Jess Cotton
  3. pp. 771-791
  4. DOI: https://doi.org/10.1353/mfs.2022.0051
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  1. Contributors
  2. pp. 792-793
  3. DOI: https://doi.org/10.1353/mfs.2022.0052
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