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In this Issue

Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/amu.2023.0000
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  1. Remembering My Teachers—Bruno Nettl and Sabri Khan: Society for Asian Music 2022 Keynote Address
  2. Daniel M. Neuman
  3. pp. 4-27
  4. DOI: https://doi.org/10.1353/amu.2023.0001
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  1. Neşet Ertaş and the Ontologies of Turkey’s Folk Music
  2. Dave Fossum
  3. pp. 28-59
  4. DOI: https://doi.org/10.1353/amu.2023.0002
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  1. The Exceptional Fauziah Gambus: Negotiating Novelty, Piety, and Self-Promotion in an Androcentric Malaysian Musical Scene
  2. Joe Kinzer
  3. pp. 60-91
  4. DOI: https://doi.org/10.1353/amu.2023.0003
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  1. Staging Noh Performance in Contemporary Opera: The Dance of the Shite in Toshio Hosokawa’s The Maiden from the Sea (2017)
  2. Paulo Brito
  3. pp. 92-119
  4. DOI: https://doi.org/10.1353/amu.2023.0004
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  1. On the Threshold between Different Worlds: The Symbolic Role of Gongs in the Final Mortuary Ritual of the Jarai (Central Highlands of Vietnam)
  2. Vincenzo Della Ratta
  3. pp. 120-144
  4. DOI: https://doi.org/10.1353/amu.2023.0005
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  1. Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles by Sonja Lynn Downing (review)
  2. Meghan Hynson
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/amu.2023.0006
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  1. 24 Bars to Kill: Hip Hop, Aspiration, and Japan’s Social Margins by Andrew B. Armstrong (review)
  2. Nate Renner
  3. pp. 148-151
  4. DOI: https://doi.org/10.1353/amu.2023.0007
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  1. Ambient Sufism: Ritual Niches and the Social Work of Musical Form by Richard C. Jankowsky (review)
  2. Rachel Colwell
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/amu.2023.0008
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  1. Japon: Le Gagaku/Japan: Gagaku (review)
  2. LeRon James Harrison
  3. pp. 155-158
  4. DOI: https://doi.org/10.1353/amu.2023.0009
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  1. About the Contributors
  2. pp. 159-161
  3. DOI: https://doi.org/10.1353/amu.2023.0010
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