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In this Issue

Table of Contents

  1. Introduction
  2. Lisa Jackson-Schebetta
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/ths.2023.a934433
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  1. "Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit
  2. Patricia Herrera, Marci R. Mcmahon
  3. pp. 7-26
  4. DOI: https://doi.org/10.1353/ths.2023.a934434
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  1. The Actor's Life and State Funding for Theatre in France: "We Are the State"
  2. Cynthia Running-Johnson
  3. pp. 27-48
  4. DOI: https://doi.org/10.1353/ths.2023.a934435
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  1. "She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering
  2. Alexandra Swanson
  3. pp. 49-71
  4. DOI: https://doi.org/10.1353/ths.2023.a934436
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  1. Introduction to the Special Section
  2. Matthieu Chapman, Miles P. Grier
  3. pp. 75-84
  4. DOI: https://doi.org/10.1353/ths.2023.a934437
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  1. "Humane Care": The Rhetoric of Premodern Care in The Tempest
  2. Robert O. Yates
  3. pp. 85-94
  4. DOI: https://doi.org/10.1353/ths.2023.a934438
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  1. "Not Another Essay on Care Work in Academia!"
  2. Jessica N. Pabón-Colón
  3. pp. 95-103
  4. DOI: https://doi.org/10.1353/ths.2023.a934439
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  1. Responding to Crises of Racial Capitalism with Care and Resistance
  2. Katherine Gillen
  3. pp. 104-109
  4. DOI: https://doi.org/10.1353/ths.2023.a934440
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  1. Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre
  2. Catherine Peckinpaugh Vrtis
  3. pp. 110-115
  4. DOI: https://doi.org/10.1353/ths.2023.a934441
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  1. There Are No Small Parts, Only Fractals
  2. Sherrice Mojgani
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/ths.2023.a934442
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  1. Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe
  2. Kara Raphaeli
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/ths.2023.a934443
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  1. A Path Out of the Desert: Enduring and Educating in the Time of COVID
  2. Shane Wood
  3. pp. 125-130
  4. DOI: https://doi.org/10.1353/ths.2023.a934444
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  1. Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress
  2. Joshua Kelly
  3. pp. 131-137
  4. DOI: https://doi.org/10.1353/ths.2023.a934445
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  1. When We Gather in the Clearing, A Cardinal Croons
  2. John Murillo III
  3. pp. 138-144
  4. DOI: https://doi.org/10.1353/ths.2023.a934446
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  1. Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village
  2. Heidi L. Nees
  3. pp. 147-157
  4. DOI: https://doi.org/10.1353/ths.2023.a934447
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  1. Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)
  2. Cheryl Black
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/ths.2023.a934448
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  1. Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)
  2. Shelby Brewster
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/ths.2023.a934449
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  1. Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)
  2. Meredith Conti
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/ths.2023.a934450
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  1. The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)
  2. Zach Dailey
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/ths.2023.a934451
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  1. Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)
  2. Michael Dewhatley
  3. pp. 171-174
  4. DOI: https://doi.org/10.1353/ths.2023.a934452
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  1. Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)
  2. Whit Emerson
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/ths.2023.a934453
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  1. Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)
  2. Nancy Jones
  3. pp. 176-179
  4. DOI: https://doi.org/10.1353/ths.2023.a934454
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  1. Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)
  2. Felicia Hardison Londré
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/ths.2023.a934455
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  1. Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)
  2. Bret McCandless
  3. pp. 182-185
  4. DOI: https://doi.org/10.1353/ths.2023.a934456
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  1. Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)
  2. Tom Mitchell
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/ths.2023.a934457
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  1. Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)
  2. Leticia L. Ridley
  3. pp. 187-191
  4. DOI: https://doi.org/10.1353/ths.2023.a934458
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  1. Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)
  2. Christine Woodworth
  3. pp. 191-194
  4. DOI: https://doi.org/10.1353/ths.2023.a934459
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  1. Books Received
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/ths.2023.a934460
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  1. Contributors
  3. pp. 197-201
  4. DOI: https://doi.org/10.1353/ths.2023.a934461
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Previous Issue

Volume 41, 2022