In this Issue

Table of Contents

Introduction

Lisa Jackson-Schebetta
pp. 1-5
DOI: https://doi.org/10.1353/ths.2022.0015
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Part I. Studies in Theatre History

"A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre

Lisa Milner
pp. 9-29
DOI: https://doi.org/10.1353/ths.2022.0001
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A Stained Glass Menagerie

Matthieu Chapman
pp. 30-33
DOI: https://doi.org/10.1353/ths.2022.0002
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Theatre Like an Oak in the Town Square

Courtney Elkin Mohler
pp. 34-40
DOI: https://doi.org/10.1353/ths.2022.0027
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TikTok Is Theatre, Theatre Is TikTok

Trevor Boffone
pp. 41-48
DOI: https://doi.org/10.1353/ths.2022.0028
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Imagining Access: What Does Digiturgy Have to Offer?

Alex Vermillion
pp. 49-53
DOI: https://doi.org/10.1353/ths.2022.0014
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The Gaza Monologues : Palestine, Representation, and Reciprocity

Samer Al-Saber, Jeanmarie Higgins, Ryan J. Douglass, Jeanmarie Higgins, Michael Schweikardt
pp. 54-59
DOI: https://doi.org/10.1353/ths.2022.0025
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Part II. Commingled Histories: Theatre and Dance

Editors' Introduction to the Special Section

Angela K. Ahlgren, Victoria Fortuna
pp. 63-67
DOI: https://doi.org/10.1353/ths.2022.0012
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A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)

Bethany Wood
pp. 68-87
DOI: https://doi.org/10.1353/ths.2022.0003
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The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage

Joanna Dee Das, Jay Buchanan
pp. 88-106
DOI: https://doi.org/10.1353/ths.2022.0024
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Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills

Heidi L. Nees
pp. 107-125
DOI: https://doi.org/10.1353/ths.2022.0008
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"A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy

Giulia Taddeo
pp. 126-147
DOI: https://doi.org/10.1353/ths.2022.0000
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Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros

Melissa Blanco Borelli
pp. 148-165
DOI: https://doi.org/10.1353/ths.2022.0009
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Part III. Book Reviews

Beckett Beyond the Normal ed. by Seán Kennedy (review)

Kelly I. Aliano
pp. 169-171
DOI: https://doi.org/10.1353/ths.2022.0005
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Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke (review)

Gordon Alley-Young
pp. 171-173
DOI: https://doi.org/10.1353/ths.2022.0021
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Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin (review)

Joanna Dee Das
pp. 173-176
DOI: https://doi.org/10.1353/ths.2022.0016
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Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy (review)

Christiana Molldrem Harkulich
pp. 176-178
DOI: https://doi.org/10.1353/ths.2022.0022
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Addiction and Devotion in Early Modern England by Rebecca Lemon (review)

Alani Hicks-Bartlett
pp. 178-181
DOI: https://doi.org/10.1353/ths.2022.0004
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Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert (review)

Erin Rachel Kaplan
pp. 181-184
DOI: https://doi.org/10.1353/ths.2022.0023
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From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin (review)

Heather Kelley
pp. 184-186
DOI: https://doi.org/10.1353/ths.2022.0013
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Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey (review)

Patrick Maley
pp. 187-189
DOI: https://doi.org/10.1353/ths.2022.0017
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Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan (review)

Karin Maresh
pp. 189-192
DOI: https://doi.org/10.1353/ths.2022.0019
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The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)

Heather S. Nathans
pp. 192-195
DOI: https://doi.org/10.1353/ths.2022.0026
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Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin (review)

Sebastian Samur
pp. 196-198
DOI: https://doi.org/10.1353/ths.2022.0018
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Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt (review)

Teresa Simone
pp. 198-200
DOI: https://doi.org/10.1353/ths.2022.0020
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Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb (review)

Dennis Sloan
pp. 200-203
DOI: https://doi.org/10.1353/ths.2022.0007
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Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert (review)

Kyle A. Thomas
pp. 203-205
DOI: https://doi.org/10.1353/ths.2022.0011
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Books Received

Books Received

pp. 207-208
DOI: https://doi.org/10.1353/ths.2022.0006
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Contributors

Contributors

pp. 209-214
DOI: https://doi.org/10.1353/ths.2022.0010
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