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In this Issue

Table of Contents

  1. Introduction
  2. Lisa Jackson-Schebetta
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/ths.2022.0015
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  1. "A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre
  2. Lisa Milner
  3. pp. 9-29
  4. DOI: https://doi.org/10.1353/ths.2022.0001
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  1. A Stained Glass Menagerie
  2. Matthieu Chapman
  3. pp. 30-33
  4. DOI: https://doi.org/10.1353/ths.2022.0002
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  1. Theatre Like an Oak in the Town Square
  2. Courtney Elkin Mohler
  3. pp. 34-40
  4. DOI: https://doi.org/10.1353/ths.2022.0027
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  1. TikTok Is Theatre, Theatre Is TikTok
  2. Trevor Boffone
  3. pp. 41-48
  4. DOI: https://doi.org/10.1353/ths.2022.0028
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  1. Imagining Access: What Does Digiturgy Have to Offer?
  2. Alex Vermillion
  3. pp. 49-53
  4. DOI: https://doi.org/10.1353/ths.2022.0014
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  1. The Gaza Monologues : Palestine, Representation, and Reciprocity
  2. Samer Al-Saber, Jeanmarie Higgins, Ryan J. Douglass, Jeanmarie Higgins, Michael Schweikardt
  3. pp. 54-59
  4. DOI: https://doi.org/10.1353/ths.2022.0025
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  1. Editors' Introduction to the Special Section
  2. Angela K. Ahlgren, Victoria Fortuna
  3. pp. 63-67
  4. DOI: https://doi.org/10.1353/ths.2022.0012
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  1. A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)
  2. Bethany Wood
  3. pp. 68-87
  4. DOI: https://doi.org/10.1353/ths.2022.0003
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  1. The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage
  2. Joanna Dee Das, Jay Buchanan
  3. pp. 88-106
  4. DOI: https://doi.org/10.1353/ths.2022.0024
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  1. Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills
  2. Heidi L. Nees
  3. pp. 107-125
  4. DOI: https://doi.org/10.1353/ths.2022.0008
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  1. "A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy
  2. Giulia Taddeo
  3. pp. 126-147
  4. DOI: https://doi.org/10.1353/ths.2022.0000
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  1. Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros
  2. Melissa Blanco Borelli
  3. pp. 148-165
  4. DOI: https://doi.org/10.1353/ths.2022.0009
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  1. Beckett Beyond the Normal ed. by Seán Kennedy (review)
  2. Kelly I. Aliano
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/ths.2022.0005
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  1. Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke (review)
  2. Gordon Alley-Young
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/ths.2022.0021
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  1. Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin (review)
  2. Joanna Dee Das
  3. pp. 173-176
  4. DOI: https://doi.org/10.1353/ths.2022.0016
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  1. Addiction and Devotion in Early Modern England by Rebecca Lemon (review)
  2. Alani Hicks-Bartlett
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/ths.2022.0004
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  1. Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert (review)
  2. Erin Rachel Kaplan
  3. pp. 181-184
  4. DOI: https://doi.org/10.1353/ths.2022.0023
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  1. From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin (review)
  2. Heather Kelley
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/ths.2022.0013
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  1. Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey (review)
  2. Patrick Maley
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/ths.2022.0017
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  1. Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan (review)
  2. Karin Maresh
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/ths.2022.0019
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  1. The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)
  2. Heather S. Nathans
  3. pp. 192-195
  4. DOI: https://doi.org/10.1353/ths.2022.0026
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  1. Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin (review)
  2. Sebastian Samur
  3. pp. 196-198
  4. DOI: https://doi.org/10.1353/ths.2022.0018
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  1. Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt (review)
  2. Teresa Simone
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/ths.2022.0020
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  1. Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb (review)
  2. Dennis Sloan
  3. pp. 200-203
  4. DOI: https://doi.org/10.1353/ths.2022.0007
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  1. Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert (review)
  2. Kyle A. Thomas
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/ths.2022.0011
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  1. Books Received
  2. pp. 207-208
  3. DOI: https://doi.org/10.1353/ths.2022.0006
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  1. Contributors
  2. pp. 209-214
  3. DOI: https://doi.org/10.1353/ths.2022.0010
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Previous Issue

Volume 40, 2021