Project MUSE - Theatre History Studies-Volume 41, 2022

Introduction

Lisa Jackson-Schebetta

pp. 1-5

DOI: https://doi.org/10.1353/ths.2022.0015

"A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre

Lisa Milner

pp. 9-29

DOI: https://doi.org/10.1353/ths.2022.0001

A Stained Glass Menagerie

Matthieu Chapman

pp. 30-33

DOI: https://doi.org/10.1353/ths.2022.0002

Theatre Like an Oak in the Town Square

Courtney Elkin Mohler

pp. 34-40

DOI: https://doi.org/10.1353/ths.2022.0027

TikTok Is Theatre, Theatre Is TikTok

Trevor Boffone

pp. 41-48

DOI: https://doi.org/10.1353/ths.2022.0028

Imagining Access: What Does Digiturgy Have to Offer?

Alex Vermillion

pp. 49-53

DOI: https://doi.org/10.1353/ths.2022.0014

The Gaza Monologues : Palestine, Representation, and Reciprocity

Samer Al-Saber, Jeanmarie Higgins, Ryan J. Douglass, Jeanmarie Higgins, Michael Schweikardt

pp. 54-59

DOI: https://doi.org/10.1353/ths.2022.0025

Editors' Introduction to the Special Section

Angela K. Ahlgren, Victoria Fortuna

pp. 63-67

DOI: https://doi.org/10.1353/ths.2022.0012

A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)

Bethany Wood

pp. 68-87

DOI: https://doi.org/10.1353/ths.2022.0003

The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage

Joanna Dee Das, Jay Buchanan

pp. 88-106

DOI: https://doi.org/10.1353/ths.2022.0024

Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills

Heidi L. Nees

pp. 107-125

DOI: https://doi.org/10.1353/ths.2022.0008

"A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy

Giulia Taddeo

pp. 126-147

DOI: https://doi.org/10.1353/ths.2022.0000

Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros

Melissa Blanco Borelli

pp. 148-165

DOI: https://doi.org/10.1353/ths.2022.0009

Beckett Beyond the Normal ed. by Seán Kennedy (review)

Kelly I. Aliano

pp. 169-171

DOI: https://doi.org/10.1353/ths.2022.0005

Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke (review)

Gordon Alley-Young

pp. 171-173

DOI: https://doi.org/10.1353/ths.2022.0021

Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin (review)

Joanna Dee Das

pp. 173-176

DOI: https://doi.org/10.1353/ths.2022.0016

Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy (review)

Christiana Molldrem Harkulich

pp. 176-178

DOI: https://doi.org/10.1353/ths.2022.0022

Addiction and Devotion in Early Modern England by Rebecca Lemon (review)

Alani Hicks-Bartlett

pp. 178-181

DOI: https://doi.org/10.1353/ths.2022.0004

Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert (review)

Erin Rachel Kaplan

pp. 181-184

DOI: https://doi.org/10.1353/ths.2022.0023

From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin (review)

Heather Kelley

pp. 184-186

DOI: https://doi.org/10.1353/ths.2022.0013

Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey (review)

Patrick Maley

pp. 187-189

DOI: https://doi.org/10.1353/ths.2022.0017

Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan (review)

Karin Maresh

pp. 189-192

DOI: https://doi.org/10.1353/ths.2022.0019

The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)

Heather S. Nathans

pp. 192-195

DOI: https://doi.org/10.1353/ths.2022.0026

Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin (review)

Sebastian Samur

pp. 196-198

DOI: https://doi.org/10.1353/ths.2022.0018

Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt (review)

Teresa Simone

pp. 198-200

DOI: https://doi.org/10.1353/ths.2022.0020

Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb (review)

Dennis Sloan

pp. 200-203

DOI: https://doi.org/10.1353/ths.2022.0007

Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert (review)

Kyle A. Thomas

pp. 203-205

DOI: https://doi.org/10.1353/ths.2022.0011

Books Received

pp. 207-208

DOI: https://doi.org/10.1353/ths.2022.0006

Contributors

pp. 209-214

DOI: https://doi.org/10.1353/ths.2022.0010

ISSN	2166-9953
Print ISSN	0733-2033
Launched on MUSE	2023-01-06
Open Access	No

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