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In this Issue

Table of Contents

  1. “Everyone in illyria is bi you absolute cowards”: Shakespeare TikTok, Twelfth Night, and the Search for a Queer Utopia
  2. Trevor Boffone, Danielle Rosvally
  3. pp. 481-507
  4. DOI: https://doi.org/10.1353/shb.2022.0048
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  1. Writing (Irish) Histories on the Body: DruidShakespeare, Gender, and the Shakespearean History Play
  2. Emer McHugh
  3. pp. 509-530
  4. DOI: https://doi.org/10.1353/shb.2022.0049
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  1. Fat Ham (review)
  2. Shanelle E. Kim
  3. pp. 545-548
  4. DOI: https://doi.org/10.1353/shb.2022.0051
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  1. A Midsummer Night’s Dream (review)
  2. Michael J. Collins
  3. pp. 549-552
  4. DOI: https://doi.org/10.1353/shb.2022.0052
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  1. Henry V (review)
  2. Justin B. Hopkins
  3. pp. 552-556
  4. DOI: https://doi.org/10.1353/shb.2022.0053
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  1. Henry VIII (review)
  2. Robert Hubbard
  3. pp. 556-560
  4. DOI: https://doi.org/10.1353/shb.2022.0054
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  1. The Winter’s Tale (review)
  2. Noel Sloboda
  3. pp. 560-565
  4. DOI: https://doi.org/10.1353/shb.2022.0055
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  1. Much Ado About Nothing (review)
  2. Barbara Ann Lukacs
  3. pp. 566-570
  4. DOI: https://doi.org/10.1353/shb.2022.0056
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  1. Much Ado (review)
  2. Joseph Kuhn
  3. pp. 570-573
  4. DOI: https://doi.org/10.1353/shb.2022.0057
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  1. What is a Playhouse? England at Play, 1520–1620 by Callan Davies (review)
  2. Elizabeth E. Tavares
  3. pp. 575-578
  4. DOI: https://doi.org/10.1353/shb.2022.0058
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