In this Issue

Table of Contents

A Welcome: Editor’s Note

Karen L. Kilcup
p. i
DOI: https://doi.org/10.1353/esq.2023.a909777
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“To Mold in Clay and Carve in Stone”: Sculptural and Political Form in Margaret Fuller’s Italian Dispatches

Mollie Barnes
pp. 1-37
DOI: https://doi.org/10.1353/esq.2023.a909772
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Woman in the Nineteenth Century and the Politics of Reprinting, 1845–1980

Eagan Dean
pp. 39-72
DOI: https://doi.org/10.1353/esq.2023.a909773
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“Painted for Posterity”: Guerilla Violence and Irregular Warfare in Rebecca Harding Davis’ Civil War Writing

Vanessa Steinroetter
pp. 73-102
DOI: https://doi.org/10.1353/esq.2023.a909774
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The Year in Conferences—2022

Katrina Marie Dzyak, Tenisha McDonald, Nicole Musselman, Hyunjoo Yu, Max Chapnick, Devon Bradley, Chantelle Escobar Leswell, Emma Horst, Joe Hansen, Max Chapnick, Andy Harper
pp. 103-148
DOI: https://doi.org/10.1353/esq.2023.a909775
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Contributors

pp. 149-153
DOI: https://doi.org/10.1353/esq.2023.a909776
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