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In this Issue

Table of Contents

  1. A Welcome: Editor’s Note
  2. Karen L. Kilcup
  3. p. i
  4. DOI: https://doi.org/10.1353/esq.2023.a909777
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  1. “To Mold in Clay and Carve in Stone”: Sculptural and Political Form in Margaret Fuller’s Italian Dispatches
  2. Mollie Barnes
  3. pp. 1-37
  4. DOI: https://doi.org/10.1353/esq.2023.a909772
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  1. Woman in the Nineteenth Century and the Politics of Reprinting, 1845–1980
  2. Eagan Dean
  3. pp. 39-72
  4. DOI: https://doi.org/10.1353/esq.2023.a909773
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  1. “Painted for Posterity”: Guerilla Violence and Irregular Warfare in Rebecca Harding Davis’ Civil War Writing
  2. Vanessa Steinroetter
  3. pp. 73-102
  4. DOI: https://doi.org/10.1353/esq.2023.a909774
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  1. The Year in Conferences—2022
  2. Katrina Marie Dzyak, Tenisha McDonald, Nicole Musselman, Hyunjoo Yu, Max Chapnick, Devon Bradley, Chantelle Escobar Leswell, Emma Horst, Joe Hansen, Max Chapnick, Andy Harper
  3. pp. 103-148
  4. DOI: https://doi.org/10.1353/esq.2023.a909775
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  1. Contributors
  3. pp. 149-153
  4. DOI: https://doi.org/10.1353/esq.2023.a909776
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