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In this Issue

Table of Contents

  1. Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future
  2. Elizabeth Berndt, Sandi-Jo Malmon
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/fam.2023.0005
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  1. Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann
  2. Allan Badley
  3. pp. 16-33
  4. DOI: https://doi.org/10.1353/fam.2023.0004
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  1. The Grand Piano of Ignacy Jan Paderewski in Cartoons
  2. Magdalena Dziadek, Michał Jaczyński, Justyna Kica
  3. pp. 34-47
  4. DOI: https://doi.org/10.1353/fam.2023.0003
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  1. Briefs / Feuilletons
  3. pp. 50-54
  4. DOI: https://doi.org/10.1353/fam.2023.0002
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  1. Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor
  2. Roger Flury
  3. pp. 55-68
  4. DOI: https://doi.org/10.1353/fam.2023.0001
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  1. Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr (review)
  2. Andrea Cawelti
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/fam.2023.0000
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  1. Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson (review)
  2. Ken Smith
  3. pp. 71-74
  4. DOI: https://doi.org/10.1353/fam.2023.0006
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  1. In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer (review)
  2. Paola Teresa Rossetti Milan
  3. pp. 74-77
  4. DOI: https://doi.org/10.1353/fam.2023.0007
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  1. Communications
  2. William Kinderman
  3. p. 78
  4. DOI: https://doi.org/10.1353/fam.2023.0008
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