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Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/mar.2023.0000
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  1. Mr. Kemal Questions God
  2. Asnia Asim
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/mar.2023.0001
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  1. Fidelia Córdoba
  2. Amalialú Posso Figueroa, Jeffrey Diteman, Shanta Lee Gander
  3. pp. 15-18
  4. DOI: https://doi.org/10.1353/mar.2023.0002
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  1. Raining Zebra Finches
  2. Chiou Charng-Ting, May Huang
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/mar.2023.0003
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  1. Namaste Trump
  2. Tabish Khair
  3. pp. 37-48
  4. DOI: https://doi.org/10.1353/mar.2023.0004
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  1. Diaspora Sonnet 60, and: Diaspora Sonnet 61, and: Diaspora Sonnet 62, and: Pantoum Beginning And Ending With a Big Sky
  2. Oliver De La Paz
  3. pp. 49-53
  4. DOI: https://doi.org/10.1353/mar.2023.0005
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  1. Magic Marker
  2. Chris Campanioni
  3. pp. 54-62
  4. DOI: https://doi.org/10.1353/mar.2023.0006
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  1. To Look at Earth from However Many Light-Years Away
  2. Matthew Olzmann
  3. p. 63
  4. DOI: https://doi.org/10.1353/mar.2023.0007
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  1. The Janitor Who Swept Where There Was no Dust; and: The Fireflies of Belmont Avenue
  2. Martín Espada
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/mar.2023.0008
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  1. Eavesdropping on a Cyclical Conversation
  2. Carl Hancock Rux
  3. pp. 66-68
  4. DOI: https://doi.org/10.1353/mar.2023.0009
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  1. Yet
  2. Matthew Olzmann
  3. pp. 69-70
  4. DOI: https://doi.org/10.1353/mar.2023.0010
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  1. The Ransom Letters Of Sisi Eko
  2. Chuma Nwokolo
  3. pp. 71-78
  4. DOI: https://doi.org/10.1353/mar.2023.0011
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  1. Table of Contexts
  2. Cindy Juyoung Ok
  3. p. 79
  4. DOI: https://doi.org/10.1353/mar.2023.0012
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  1. Democracy in America
  2. Allegra Hyde
  3. pp. 80-100
  4. DOI: https://doi.org/10.1353/mar.2023.0013
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  1. On Crying While Stripping Wallpaper
  2. Stevie Edwards
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/mar.2023.0014
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  1. Prophet
  2. Kathryn Petruccelli
  3. p. 103
  4. DOI: https://doi.org/10.1353/mar.2023.0015
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  1. Sixty Years of Collecting: An Anniversary Exhibition Celebrating The UMCA Permanent Art Collection
  3. pp. 106-119
  4. DOI: https://doi.org/10.1353/mar.2023.0016
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  1. A Toast to The Narcissist’s Exit
  2. Alexa Doran
  3. p. 121
  4. DOI: https://doi.org/10.1353/mar.2023.0017
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  1. Adie Wells And Passionfruit
  2. Jordan James
  3. pp. 122-130
  4. DOI: https://doi.org/10.1353/mar.2023.0018
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  1. Everydayness, and: Other Definitions of Basic Concepts
  2. Dan Beachy-Quick
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/mar.2023.0019
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  1. Blind Spot
  2. Lauren Camp
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/mar.2023.0020
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  1. Postmortem
  2. Ann Lohner
  3. pp. 136-149
  4. DOI: https://doi.org/10.1353/mar.2023.0021
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  1. Momma, Refracted
  2. JC Andrews
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/mar.2023.0022
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  1. Inland
  2. Lauren Hohle
  3. pp. 152-166
  4. DOI: https://doi.org/10.1353/mar.2023.0023
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  1. The Pleated Skirt
  2. Julieta Vitullo
  3. pp. 167-174
  4. DOI: https://doi.org/10.1353/mar.2023.0024
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  1. Threesome, and: Divorce Apparition along the Road to Emmaus
  2. Thomas Dooley
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/mar.2023.0025
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  1. The Nameless
  2. Cherry Lou Sy
  3. pp. 178-190
  4. DOI: https://doi.org/10.1353/mar.2023.0026
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  1. Star Dust
  2. Jason Schneiderman
  3. pp. 191-192
  4. DOI: https://doi.org/10.1353/mar.2023.0027
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  1. Notes on Contributors
  3. pp. 193-196
  4. DOI: https://doi.org/10.1353/mar.2023.0028
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