In this Issue

Table of Contents

Introduction: Archiver le Maghreb

Marie-Pierre Ulloa
pp. 7-16
DOI: https://doi.org/10.1353/exp.2022.0018
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À la recherche des archives exilées : Entretien avec Benjamin Stora

Marie-Pierre Ulloa, Benjamin Stora
pp. 17-38
DOI: https://doi.org/10.1353/exp.2022.0019
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Mineral Unarchiving: A Geological Reading of Assia Djebar's L'Amour, la fantasia

Ninon Vessier
pp. 39-55
DOI: https://doi.org/10.1353/exp.2022.0020
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Deconstructing the Influences on a French-Moroccan Archive: Medium, Audience, and Self in Leïla Slimani's Sexe et mensonges and Paroles d'honneur

Kate Nelson
pp. 57-71
DOI: https://doi.org/10.1353/exp.2022.0021
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Imaginary Testimony: Dada l'Yakout and the Unexplored History of Enslavement through Abduction in Morocco

Brahim El Guabli
pp. 73-95
DOI: https://doi.org/10.1353/exp.2022.0022
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Nice, baie des Anges : c'est pourtant pas le Maghreb. Archiver le motif maghrébin dans l'œuvre de Maryline Desbiolles

Marie-Pierre Ulloa
pp. 97-114
DOI: https://doi.org/10.1353/exp.2022.0023
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Le -s d'Algéries

Catherine Brun
pp. 115-133
DOI: https://doi.org/10.1353/exp.2022.0024
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L'Art de perdre, ou l'art de l'Histoire « contée » d'Alice Zeniter

Francesca Aiuti
pp. 135-151
DOI: https://doi.org/10.1353/exp.2022.0025
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Reconstituting Archives: Moroccan Cinema and History in Ahmed Bouanani and Ali Essafi's Projects of Re-collection

Peter Limbrick
pp. 153-169
DOI: https://doi.org/10.1353/exp.2022.0026
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Rabah Ameur-Zaïmeche's Terminal Sud (2019) and the Resurgence of a Franco-Algerian Archive

Tobias Llewelyn Barnett
pp. 171-189
DOI: https://doi.org/10.1353/exp.2022.0027
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Hadj Miliani (1951-2021), suivi de Le théâtre radiophonique dans l’Algérie coloniale, par Hadj Miliani

Guy Dugas
pp. 191-195
DOI: https://doi.org/10.1353/exp.2022.0028
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L'espace et le Moi dans Alger, le cri de Samir Toumi

Brahim Ait Amokrane
pp. 199-215
DOI: https://doi.org/10.1353/exp.2022.0029
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Notices bio-bibliographiques

pp. 217-224
DOI: https://doi.org/10.1353/exp.2022.0030
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