In this Issue

Table of Contents

Guest Editor’s Introduction

Chris van Rhyn
pp. 5-7
DOI: https://doi.org/10.1353/pnm.2021.0009
restricted access

Code Switching as a Linguistic-Compositional Device in Selected Choral Works by Ghanaian Composers

Joshua Amuah, Hilarius Wuaku
pp. 9-29
DOI: https://doi.org/10.1353/pnm.2021.0010
restricted access

Tone Realization and Register Transformations in Nigerian Art Music: A Formal Analysis of Èkwúèmé and Olúrántí

Aaron Carter-Enyi
pp. 31-79
DOI: https://doi.org/10.1353/pnm.2021.0011
restricted access

Integrating Abfallmaterials into the Harmonic Mainstream: Quartally Derived Compounds in the Compositional Language of Hendrik Hofmeyr

Wilhelm Delport
pp. 99-146
DOI: https://doi.org/10.1353/pnm.2021.0012
restricted access

Spectral Resistance in Andile Khumalo’s Bells Die Out

William Fourie
pp. 147-171
DOI: https://doi.org/10.1353/pnm.2021.0013
restricted access

Rethinking Nollywood Film Music: The Case for a Persistent Identity System

Emaeyak Peter Sylvanus
pp. 173-201
DOI: https://doi.org/10.1353/pnm.2021.0014
restricted access

The Strain of the Voice in Michael Blake’s Umngqokolo

Esther Marie Pauw
pp. 203-226
DOI: https://doi.org/10.1353/pnm.2021.0015
restricted access

When Art and Music Meet: Reporting on Collaborations and Integrations, with a Focus on Johannesburg

Jaco Meyer
pp. 227-266
DOI: https://doi.org/10.1353/pnm.2021.0016
restricted access

Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins by David F. Garcia (review)

Hannah Strong
pp. 267-270
DOI: https://doi.org/10.1353/pnm.2021.0017
restricted access

In Memoriam: Wayne Slawson

pp. 271-272
DOI: https://doi.org/10.1353/pnm.2021.0018
restricted access

Harbouring Fanon

Christine Dixie
pp. 273-277
DOI: https://doi.org/10.1353/pnm.2021.0019
restricted access

Personae

pp. 283-285
DOI: https://doi.org/10.1353/pnm.2021.0020
restricted access