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Table of Contents

  1. Adaptations of Richard Wright’s Works
  2. Tara T. Green, Charles I. Nero
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/pal.2023.a906867
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  1. Revisioning Richard Wright’s Bessie
  2. Tara T. Green
  3. pp. 18-30
  4. DOI: https://doi.org/10.1353/pal.2023.a906868
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  1. Richard Wright’s Huntresses: A Transgenerational Experience
  2. Julia Wright
  3. pp. 31-34
  4. DOI: https://doi.org/10.1353/pal.2023.a906869
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  1. Uncle Tom’s Daughter: Sarah versus the Enduring Misogyny of Wright’s “Long Black Song”
  2. Sondra Bickham Washington
  3. pp. 35-49
  4. DOI: https://doi.org/10.1353/pal.2023.a906870
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  1. “This Is a Man’s World”: Richard Wright Just Won’t Give a Sistah a Break in “Long Black Song”
  2. Neal A. Lester
  3. pp. 50-65
  4. DOI: https://doi.org/10.1353/pal.2023.a906871
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  1. Bigger and Bessie on Nambi E. Kelley’s Stage: Adapting Native Son’s Genre and Gender for the Twenty-First Century
  2. Florian Bousquet
  3. pp. 66-82
  4. DOI: https://doi.org/10.1353/pal.2023.a906872
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  1. More Than a Black Rat Sonofab----: Animality in Defining Americanness and the Human in Nambi E. Kelley’s Native Son
  2. DeLisa D. Hawkes
  3. pp. 83-98
  4. DOI: https://doi.org/10.1353/pal.2023.a906873
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  1. Redeeming Bigger Thomas: Rashid Johnson and Suzan-Lori Parks’s “Woke” Native Son
  2. Charles I. Nero
  3. pp. 99-113
  4. DOI: https://doi.org/10.1353/pal.2023.a906874
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  1. Playwright Nambi Kelley Finds the Love: Adapting Richard Wright’s Native Son for the Stage
  2. Tasha Hawthorne
  3. pp. 114-123
  4. DOI: https://doi.org/10.1353/pal.2023.a906875
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  1. Contributors
  2. pp. 124-126
  3. DOI: https://doi.org/10.1353/pal.2023.a906876
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