In this Issue

Table of Contents

Adaptations of Richard Wright’s Works

Tara T. Green, Charles I. Nero
pp. 1-17
DOI: https://doi.org/10.1353/pal.2023.a906867
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Revisioning Richard Wright’s Bessie

Tara T. Green
pp. 18-30
DOI: https://doi.org/10.1353/pal.2023.a906868
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Richard Wright’s Huntresses: A Transgenerational Experience

Julia Wright
pp. 31-34
DOI: https://doi.org/10.1353/pal.2023.a906869
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Uncle Tom’s Daughter: Sarah versus the Enduring Misogyny of Wright’s “Long Black Song”

Sondra Bickham Washington
pp. 35-49
DOI: https://doi.org/10.1353/pal.2023.a906870
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“This Is a Man’s World”: Richard Wright Just Won’t Give a Sistah a Break in “Long Black Song”

Neal A. Lester
pp. 50-65
DOI: https://doi.org/10.1353/pal.2023.a906871
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Bigger and Bessie on Nambi E. Kelley’s Stage: Adapting Native Son’s Genre and Gender for the Twenty-First Century

Florian Bousquet
pp. 66-82
DOI: https://doi.org/10.1353/pal.2023.a906872
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More Than a Black Rat Sonofab----: Animality in Defining Americanness and the Human in Nambi E. Kelley’s Native Son

DeLisa D. Hawkes
pp. 83-98
DOI: https://doi.org/10.1353/pal.2023.a906873
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Redeeming Bigger Thomas: Rashid Johnson and Suzan-Lori Parks’s “Woke” Native Son

Charles I. Nero
pp. 99-113
DOI: https://doi.org/10.1353/pal.2023.a906874
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Playwright Nambi Kelley Finds the Love: Adapting Richard Wright’s Native Son for the Stage

Tasha Hawthorne
pp. 114-123
DOI: https://doi.org/10.1353/pal.2023.a906875
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Contributors

pp. 124-126
DOI: https://doi.org/10.1353/pal.2023.a906876
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