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In this Issue

Table of Contents

  1. Editorial Introduction In the Making: Experimentation and Experiment in Southeast Asian Art
  2. Amanda Katherine Rath, Wulan Dirgantoro
  3. pp. 2-9
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  1. Black Cube: The Stage for Performance in Singapore, 1995–96
  2. Chloe Ho
  3. pp. 13-46
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  1. Spaces of Experimentation and Collaboration in Early 1990s Malaysian Art
  2. Sarena Abdullah, Carmen Nge Siew Mun
  3. pp. 47-75
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  1. A Working Paper on For Whom the Bell Tolls
  2. Nur Hanim Bte Mohamed Khairuddin
  3. pp. 77-101
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  1. Women's Contribution to Timor-Leste's Art and Culture:
  2. Maria Madeira
  3. pp. 103-131
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  1. Sonic Experiments of Postcolonial Democracy: Listening to José Maceda's Udlot-udlot and Ugnayan
  2. Melê Yamomo
  3. pp. 133-146
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  1. In Conversation
  2. Abdul Hadi WM, Kris Ramlan, Kris Ramlan
  3. pp. 149-161
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  1. Surat Kepada Seorang Aktor – "Letter to an Actor": Interpreting Nashar's "Letter to an Actor"
  2. Katherine Bruhn
  3. pp. 165-170
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  1. "Letter to an Actor"
  2. Nashar, Elly Kent
  3. pp. 171-179
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  1. Surat Kepada Seorang Aktor
  2. Nashar
  3. pp. 181-185
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  1. Three Kings and Sound Bags: Revisiting Three Kings and Sound Bags (1979) as Philippine 'Experimental Art' of the 1970s
  2. Eva Bentcheva
  3. pp. 187-194
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  1. Three Kings
  2. Ray Albano, Elsa Clavé, Judy Freya Sibayan
  3. pp. 195-210
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  1. Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia by Karen Strassler (review)
  2. Michael Bodden
  3. pp. 213-215
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  1. The Horizon and the Holy: Re-imaging the Thai Monarchy Following the 2020 Protests
  2. Ariana Chaivaranon
  3. pp. 219-259
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  1. Self-Unseen: A Series of Smoked Glasses between (Myanmar) Artists and Their Inner Life
  2. Myint Myat Thu, Chu Chu Yuan
  3. pp. 261-279
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  1. Art Criticism
  2. Thái Tuấn, Dương Mạnh Hùng, Claudine Ang
  3. pp. 283-290
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  1. Dictionary of Art and Artists (Burma)—Part 1 of 4
  2. G. Hla Maung, Htoo Lwin Myo, Christian Gilberti
  3. pp. 291-305
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