In this Issue

Table of Contents

Erratum for Volume 47, Number 2

p. iv
DOI: https://doi.org/10.1353/vcr.2022.0008
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Editor's Note

Christopher Keep
pp. v-x
DOI: https://doi.org/10.1353/vcr.2022.0007
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Introduction: Victorian Photographs

Andrea Korda, Vanessa Warne
pp. 1-2
DOI: https://doi.org/10.1353/vcr.2022.0013
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The Queen's Mark: Guns, Photography, and the Visual Abstraction of Precision

Jennifer Tucker
pp. 2-7
DOI: https://doi.org/10.1353/vcr.2022.0019
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Richard Mansfield as Jekyll and Hyde: Theatre, Photography, and Composite Time

Daniel A. Novak
pp. 8-12
DOI: https://doi.org/10.1353/vcr.2022.0017
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On Microphotography: Aunt Lucy at the Microscope

Jennifer Green-Lewis
pp. 12-16
DOI: https://doi.org/10.1353/vcr.2022.0010
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Speculating on the Spectre: William H. Mumler's Charles Livermore with the Spirit of Estelle (1869)

Louis Kaplan
pp. 16-19
DOI: https://doi.org/10.1353/vcr.2022.0012
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Blended Identities in American Photography

Earnestine Jenkins
pp. 20-24
DOI: https://doi.org/10.1353/vcr.2022.0011
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Hidden Mothers, Hidden Others

Susan E. Cook
pp. 24-28
DOI: https://doi.org/10.1353/vcr.2022.0006
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Kinscapes, Counter Histories, and Nineteenth-Century Tintypes

Heather Caverhill, Claire Thomson
pp. 28-32
DOI: https://doi.org/10.1353/vcr.2022.0005
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Charles Dodgson's Portrait of the Arnold Sisters

Karen Bourrier
pp. 33-36
DOI: https://doi.org/10.1353/vcr.2022.0004
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Photographic Enlargements and Ethical Looking: Fingerprints from Hooghly

Mira Rai Waits
pp. 36-40
DOI: https://doi.org/10.1353/vcr.2022.0020
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Victor Albert Prout's Thames Panoramas

Shalini Le Gall
pp. 40-44
DOI: https://doi.org/10.1353/vcr.2022.0009
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"Is Victoria Actually Human?": Posthuman (Pre)histories

Lara Karpenko
pp. 45-52
DOI: https://doi.org/10.1353/vcr.2022.0022
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Should Victorian Studies Be Posthuman? A Panel Discussion

Sarah Alexander, Miranda Butler, Bruce Clarke, Tamara Ketabgian, Amy R. Wong, Dongshin Yi, Megan Ward
pp. 53-68
DOI: https://doi.org/10.1353/vcr.2022.0023
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Love Story's Ontology: Species Feeling in New Grub Street

Jill Galvan
pp. 69-90
DOI: https://doi.org/10.1353/vcr.2022.0000
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Posthuman Ecology and Immersive Materiality in M.P. Shiel's The Purple Cloud

Robert Pasquini
pp. 91-106
DOI: https://doi.org/10.1353/vcr.2022.0001
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Looking Back: Posthumanism and Sympathy in Alice's Adventures in Wonderland

Sandy M. Burnley
pp. 107-123
DOI: https://doi.org/10.1353/vcr.2022.0002
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Two-Way Mirror: The Life of Elizabeth Barrett Browning by Fiona Sampson (review)

Marjorie Stone
pp. 125-128
DOI: https://doi.org/10.1353/vcr.2022.0018
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Extraction Ecologies and the Literature of the Long Exhaustion by Elizabeth Carolyn Miller (review)

Sebastian Egholm Lund
pp. 128-131
DOI: https://doi.org/10.1353/vcr.2022.0015
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The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century by Charles LaPorte (review)

Marija Reiff
pp. 131-134
DOI: https://doi.org/10.1353/vcr.2022.0014
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Missionary Cosmopolitanism in Nineteenth-Century British Literature by Winter Jade Werner (review)

Denae Dyck
pp. 134-136
DOI: https://doi.org/10.1353/vcr.2022.0021
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Colonial Law in India and the Victorian Imagination by Leila Neti (review)

Lucky Issar
pp. 136-139
DOI: https://doi.org/10.1353/vcr.2022.0016
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Contributors

pp. 141-145
DOI: https://doi.org/10.1353/vcr.2022.0003
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