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Table of Contents

  1. Erratum for Volume 47, Number 2
  3. p. iv
  4. DOI: https://doi.org/10.1353/vcr.2022.0008
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  1. Editor's Note
  2. Christopher Keep
  3. pp. v-x
  4. DOI: https://doi.org/10.1353/vcr.2022.0007
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  1. Introduction: Victorian Photographs
  2. Andrea Korda, Vanessa Warne
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/vcr.2022.0013
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  1. The Queen's Mark: Guns, Photography, and the Visual Abstraction of Precision
  2. Jennifer Tucker
  3. pp. 2-7
  4. DOI: https://doi.org/10.1353/vcr.2022.0019
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  1. Richard Mansfield as Jekyll and Hyde: Theatre, Photography, and Composite Time
  2. Daniel A. Novak
  3. pp. 8-12
  4. DOI: https://doi.org/10.1353/vcr.2022.0017
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  1. On Microphotography: Aunt Lucy at the Microscope
  2. Jennifer Green-Lewis
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/vcr.2022.0010
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  1. Speculating on the Spectre: William H. Mumler's Charles Livermore with the Spirit of Estelle (1869)
  2. Louis Kaplan
  3. pp. 16-19
  4. DOI: https://doi.org/10.1353/vcr.2022.0012
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  1. Blended Identities in American Photography
  2. Earnestine Jenkins
  3. pp. 20-24
  4. DOI: https://doi.org/10.1353/vcr.2022.0011
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  1. Hidden Mothers, Hidden Others
  2. Susan E. Cook
  3. pp. 24-28
  4. DOI: https://doi.org/10.1353/vcr.2022.0006
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  1. Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
  2. Heather Caverhill, Claire Thomson
  3. pp. 28-32
  4. DOI: https://doi.org/10.1353/vcr.2022.0005
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  1. Charles Dodgson's Portrait of the Arnold Sisters
  2. Karen Bourrier
  3. pp. 33-36
  4. DOI: https://doi.org/10.1353/vcr.2022.0004
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  1. Photographic Enlargements and Ethical Looking: Fingerprints from Hooghly
  2. Mira Rai Waits
  3. pp. 36-40
  4. DOI: https://doi.org/10.1353/vcr.2022.0020
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  1. Victor Albert Prout's Thames Panoramas
  2. Shalini Le Gall
  3. pp. 40-44
  4. DOI: https://doi.org/10.1353/vcr.2022.0009
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  1. "Is Victoria Actually Human?": Posthuman (Pre)histories
  2. Lara Karpenko
  3. pp. 45-52
  4. DOI: https://doi.org/10.1353/vcr.2022.0022
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  1. Should Victorian Studies Be Posthuman? A Panel Discussion
  2. Sarah Alexander, Miranda Butler, Bruce Clarke, Tamara Ketabgian, Amy R. Wong, Dongshin Yi, Megan Ward
  3. pp. 53-68
  4. DOI: https://doi.org/10.1353/vcr.2022.0023
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  1. Love Story's Ontology: Species Feeling in New Grub Street
  2. Jill Galvan
  3. pp. 69-90
  4. DOI: https://doi.org/10.1353/vcr.2022.0000
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  1. Posthuman Ecology and Immersive Materiality in M.P. Shiel's The Purple Cloud
  2. Robert Pasquini
  3. pp. 91-106
  4. DOI: https://doi.org/10.1353/vcr.2022.0001
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  1. Looking Back: Posthumanism and Sympathy in Alice's Adventures in Wonderland
  2. Sandy M. Burnley
  3. pp. 107-123
  4. DOI: https://doi.org/10.1353/vcr.2022.0002
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  1. Two-Way Mirror: The Life of Elizabeth Barrett Browning by Fiona Sampson (review)
  2. Marjorie Stone
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/vcr.2022.0018
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  1. Extraction Ecologies and the Literature of the Long Exhaustion by Elizabeth Carolyn Miller (review)
  2. Sebastian Egholm Lund
  3. pp. 128-131
  4. DOI: https://doi.org/10.1353/vcr.2022.0015
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  1. The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century by Charles LaPorte (review)
  2. Marija Reiff
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/vcr.2022.0014
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  1. Missionary Cosmopolitanism in Nineteenth-Century British Literature by Winter Jade Werner (review)
  2. Denae Dyck
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/vcr.2022.0021
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  1. Colonial Law in India and the Victorian Imagination by Leila Neti (review)
  2. Lucky Issar
  3. pp. 136-139
  4. DOI: https://doi.org/10.1353/vcr.2022.0016
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  1. Contributors
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/vcr.2022.0003
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