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Table of Contents

  1. A Note from the Editor
  2. Susanne Shawyer
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/tt.2022.0024
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  1. Twilight Gods: Attendance at a Drive-through Opera
  2. Mary Anderson, Richard Haley
  3. pp. 115-126
  4. DOI: https://doi.org/10.1353/tt.2022.0025
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  1. Effective Dreaming in the Time of Zoom Theatre: Reflections on Directing The Lathe of Heaven
  2. Isaiah Matthew Wooden
  3. pp. 127-137
  4. DOI: https://doi.org/10.1353/tt.2022.0026
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  1. Resist & Rise: The One Love Method and Human Rights Performance
  2. Ayshia Mackiestephenson
  3. pp. 139-148
  4. DOI: https://doi.org/10.1353/tt.2022.0027
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  1. Rediscovering the Poetic Genius of María Irene Fornés
  2. Erin Joy Schmidt
  3. pp. 149-154
  4. DOI: https://doi.org/10.1353/tt.2022.0028
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  1. Sound Effect: The Theatre We Hear by Ross Brown (review)
  2. Elaine Hendriks Smith
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/tt.2022.0029
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  1. After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation by Cláudia Tatinge Nascimento (review)
  2. Marcos Davi Silva Steuernagel
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/tt.2022.0031
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  1. Reclaiming Greek Drama for Diverse Audiences: An Anthology of Adaptations and Interviews ed. by Melinda Powers (review)
  2. Macaela M. Carder
  3. p. 159
  4. DOI: https://doi.org/10.1353/tt.2022.0032
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  1. The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review)
  2. Annie Sansonetti
  3. p. 160
  4. DOI: https://doi.org/10.1353/tt.2022.0033
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