In this Issue

Table of Contents

From the Editor

Siyuan Liu
pp. iii-vi
DOI: https://doi.org/10.1353/atj.2023.0000
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Founders of the Field

Betty Bernhard

Carol Fisher Sorgenfrei
pp. 1-20
DOI: https://doi.org/10.1353/atj.2023.0001
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Jonah Isaac Salz

Julie A. Iezzi
pp. 21-43
DOI: https://doi.org/10.1353/atj.2023.0002
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Articles

History as Farce and the Intellectual as Comedian: Li Jing’s Metahistorical Drama Comedies from the State of Qin

Andreea Chirita
pp. 44-74
DOI: https://doi.org/10.1353/atj.2023.0003
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A Missing Piece of the Collage: The Stage Practice in the National Theatre Movement

Barbara Jiawei Li
pp. 75-95
DOI: https://doi.org/10.1353/atj.2023.0004
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Mortal Bromance: Homoeroticism on the Takarazuka Stage

Tove Solander
pp. 96-120
DOI: https://doi.org/10.1353/atj.2023.0005
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Yakiniku Dragon as Prophecy and Reflection

Seung-moo Paik
pp. 121-149
DOI: https://doi.org/10.1353/atj.2023.0006
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Towards a Definition of Performance During the Covid-19 Pandemic: A Study of Ramlila in India

Prateek
pp. 150-168
DOI: https://doi.org/10.1353/atj.2023.0007
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The Revived Mak Yong Theatre in Indonesia’s Riau Islands: Narrative and Performance Structure

Alan Darmawan
pp. 169-191
DOI: https://doi.org/10.1353/atj.2023.0008
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Performance Reviews

Den Kisot (Don Quixote) by Goenawan Mohamad (review)

Arthur S. Nalan, Irwan Jamaludin, Kathy Foley
pp. 192-199
DOI: https://doi.org/10.1353/atj.2023.0009
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Ceng Jing Ru Shi (Ago) by Stan Lai (review)

Chiayi Seetoo
pp. 200-206
DOI: https://doi.org/10.1353/atj.2023.0010
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Book Reviews

China

Chinese Adaptations of Brecht: Appropriation and Intertextuality by Wei Zhang (review)

Wei Feng
pp. 207-209
DOI: https://doi.org/10.1353/atj.2023.0011
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Japan

Noh as Living Art: Inside Japan’s Oldest Theatrical Tradition by Yasuda Noboru (review)

Jane Traynor
pp. 209-212
DOI: https://doi.org/10.1353/atj.2023.0012
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Engeki: Japanese Theatre in The New Millennium Volume 5 ed. by Japan Playwrights Association, and: Engeki: Japanese Theatre in the New Millennium Volume 6 ed. by Japan Playwrights Association (review)

Beri Juraic
pp. 212-216
DOI: https://doi.org/10.1353/atj.2023.0013
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India

Jana Sanskriti: Performance as a New Politics by Ralph Yarrow (review)

David Mason
pp. 216-219
DOI: https://doi.org/10.1353/atj.2023.0014
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Iran

A Man of the Theater: Survival as an Artist in Iran by Nasser Rahmaninejad (review)

Suzi Elnaggar
pp. 220-222
DOI: https://doi.org/10.1353/atj.2023.0015
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