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Table of Contents

  1. Late Bach and Late Style Theory
  2. Robert L. Marshall
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/bach.2023.0000
  5. restricted access
  1. Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity
  2. Thomas A. Cressy
  3. pp. 17-75
  4. DOI: https://doi.org/10.1353/bach.2023.0001
  5. restricted access
  1. Tales from Music School: Johann Friedrich Fasch at the Thomasschule (1701–1707)
  2. Barbara M. Reul
  3. pp. 76-105
  4. DOI: https://doi.org/10.1353/bach.2023.0002
  5. restricted access
  1. Two New Possible Models for the "Confiteor" of J. S. Bach's Mass in B Minor
  2. Zoltán Göncz
  3. pp. 106-128
  4. DOI: https://doi.org/10.1353/bach.2023.0003
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  1. Rethinking Bach ed. by Bettina Varwig (review)
  2. Markus Rathey
  3. pp. 129-133
  4. DOI: https://doi.org/10.1353/bach.2023.0004
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  1. Bach Studies: Liturgy, Hymnology, and Theology by Robin A. Leaver (review)
  2. Derek Stauff
  3. pp. 134-141
  4. DOI: https://doi.org/10.1353/bach.2023.0005
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  1. The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)
  2. Paul Corneilson
  3. pp. 142-147
  4. DOI: https://doi.org/10.1353/bach.2023.0006
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  1. Johann Scheibe: Organ Builder in Leipzig at the Time of Bach by Lynn Edwards Butler (review)
  2. Laurence Libin
  3. pp. 148-154
  4. DOI: https://doi.org/10.1353/bach.2023.0007
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  1. Let's Calculate Bach: Applying Information Theory and Statistics to Numbers in Music by Alan Shepherd (review)
  2. Robert L. Wells
  3. pp. 155-164
  4. DOI: https://doi.org/10.1353/bach.2023.0008
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  1. Contributors to this volume
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/bach.2023.0009
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  1. Corrigendum
  3. p. 168
  4. DOI: https://doi.org/10.1353/bach.2023.0010
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