In this Issue

Table of Contents

Articles

The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre

Clare Finburgh Delijani
pp. 471-498
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Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture

Chanté Mouton Kinyon
pp. 499-521
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"A Positive Statement of a Negative Thing": Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett's Waiting for Godot

Matthew Fogarty
pp. 522-546
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Migrant Deaths and European Revenants in Thomas Köck's antigone. a requiem (2019): Sophocles' Tragedy Recomposed and Decomposed

Christina Wald
pp. 547-570
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Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson's Barefoot in Athens

Ramin Farhadi
pp. 571-592
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Reviews

Theater as Data: Computational Journeys into Theater Research by Miguel Escobar Varela (review)

Kate Elswit
pp. 593-595
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Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)

Chrystyna Dail
pp. 595-597
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The Theater of Narration: From the Peripheries of History to the Main Stages of Italy by Juliet Guzzetta (review)

Enza De Francisci
pp. 597-600
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The Problem of the Actress in Modern German Theatre and Thought by S.E. Jackson (review)

Gaby Pailer
pp. 600-602
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Samuel Beckett and Technology by Galina Kiryushina, Einat Adar & Mark Nixon (review)

Trish McTighe
pp. 603-605
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Yeats on Theatre by Christopher Morash (review)

Geoffrey Lokke
pp. 605-607
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Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout by Shannon Walsh (review)

Eero Laine
pp. 607-609
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Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin by Brandon Woolf (review)

Olivia Landry
pp. 610-612
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