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Table of Contents

  1. Editor's Preface
  2. Marijn S. Kaplan
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/wfs.2022.0000
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  1. Women in French Studies 1992-2022: Commemorative Preface
  3. pp. 12-17
  4. DOI: https://doi.org/10.1353/wfs.2022.0001
  5. restricted access
  1. Women, Clergy, and Confession in Marguerite De Navarre's Heptaméron
  2. Thomas P. Finn
  3. pp. 18-30
  4. DOI: https://doi.org/10.1353/wfs.2022.0002
  5. restricted access
  1. The Economies of Marriage in Madame de Villedieu's Mémoires de la vie de Henriette-Sylvie de Molière (1671-74)
  2. Jennifer R. Perlmutter
  3. pp. 31-42
  4. DOI: https://doi.org/10.1353/wfs.2022.0003
  5. restricted access
  1. Le portrait de l'artiste peint par elle-même: Negotiations of the Artist-Muse Binary in George Sand's Elle et lui (1859)
  2. Amy McTurk-Starkie
  3. pp. 43-53
  4. DOI: https://doi.org/10.1353/wfs.2022.0004
  5. restricted access
  1. Lost in Adaptation: The Silencing of the French Female Concierge
  2. Mariah Devereux Herbeck
  3. pp. 54-66
  4. DOI: https://doi.org/10.1353/wfs.2022.0005
  5. restricted access
  1. Écrire avec et contre les voix des autres dans Philippe de Camille Laurens
  2. Jamie Jia-Bao Huang
  3. pp. 67-80
  4. DOI: https://doi.org/10.1353/wfs.2022.0006
  5. restricted access
  1. Traces de la honte : L'écriture du trauma et le renouvèlement du récit autobiographique dans La honte (1997) d'Annie Ernaux
  2. Hannah Volland
  3. pp. 81-95
  4. DOI: https://doi.org/10.1353/wfs.2022.0007
  5. restricted access
  1. Monuments, Tombs, and Texts in Zahia Rahmani's Moze
  2. Kelsey B. Madsen
  3. pp. 96-110
  4. DOI: https://doi.org/10.1353/wfs.2022.0008
  5. restricted access
  1. Corps interdit : Portrait d'un moi « fêlé » dans Hizya de Maïssa Bey
  2. Aouicha Hilliard
  3. pp. 111-127
  4. DOI: https://doi.org/10.1353/wfs.2022.0009
  5. restricted access
  1. Personnages (dé)rangées, réalisatrice et actrice dérangeantes : Portrait de la jeune fille en feu de Céline Sciamma
  2. Michèle Bacholle
  3. pp. 128-140
  4. DOI: https://doi.org/10.1353/wfs.2022.0010
  5. restricted access
  1. Mythes anciens et redéfinition du sujet africain chez Léonora Miano
  2. Bouguio
  3. pp. 141-153
  4. DOI: https://doi.org/10.1353/wfs.2022.0011
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  1. Natalie Barney (1876-1972): Writer, salon hostess, and eternal friend. Interview with Jean Chalon
  2. Chelsea Ray
  3. pp. 154-169
  4. DOI: https://doi.org/10.1353/wfs.2022.0012
  5. restricted access
  1. « Faire la traversée ensemble », échange avec Fabienne Kanor à propos de la performance Paroles de Revenante (Ouidah, février 2020)
  2. Lucile Combreau, Rocío Munguía Aguilar, Marjolaine Unter Ecker
  3. pp. 170-182
  4. DOI: https://doi.org/10.1353/wfs.2022.0013
  5. restricted access
  1. Femmes, parole et espace public au Cameroun. Analyse de textes des littératures écrite et populaire by Flora Amabiamina (review)
  2. Bouguio
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/wfs.2022.0014
  5. restricted access
  1. The Pen and the Pan: Food, Fiction and the Homegrown Caribbean Feminism(s) by Robyn Cope (review)
  2. Viviana Pezzullo
  3. pp. 184-186
  4. DOI: https://doi.org/10.1353/wfs.2022.0015
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  1. We Are Not Born Submissive: How the Patriarchy Shapes Women's Lives by Manon Garcia (review)
  2. Mariah Devereux Herbeck
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/wfs.2022.0016
  5. restricted access
  1. Afropea : Utopie post-occidentale et post-raciste by Léonora Miano (review)
  2. Djimeli Raoul Simplice
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/wfs.2022.0017
  5. restricted access
  1. Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature by Tracy L. Rutler (review)
  2. Charlee M. Bezilla
  3. pp. 188-190
  4. DOI: https://doi.org/10.1353/wfs.2022.0018
  5. restricted access
  1. From Menstruation to the Menopause: The Female Fertility Cycle in Contemporary Women's Writing in French by Maria Tomlinson (review)
  2. Antonia Wimbush
  3. pp. 190-191
  4. DOI: https://doi.org/10.1353/wfs.2022.0019
  5. restricted access
  1. Autofiction: A Female Francophone Aesthetics of Exile by Antonia Wimbush (review)
  2. Karen Ferreira-Meyers
  3. p. 192
  4. DOI: https://doi.org/10.1353/wfs.2022.0020
  5. restricted access
  1. Sisters, Are You with Me? by Chloé Delaume (review)
  2. Deborah Gaensbauer
  3. pp. 193-194
  4. DOI: https://doi.org/10.1353/wfs.2022.0021
  5. restricted access
  1. Letters from Spain: A Seventeenth-Century French Noblewoman at the Spanish Royal Court by Marie Gigault de Bellefonds, Marquise de Villars (review)
  2. Gabrielle Verdier
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/wfs.2022.0022
  5. restricted access
  1. Book of the Body Politic by Christine de Pizan (review)
  2. Lynn R. Wilkinson
  3. pp. 195-198
  4. DOI: https://doi.org/10.1353/wfs.2022.0023
  5. restricted access
  1. Pizan, Christine de. "The God of Love's Letter" and "The Tale of the Rose": A Bilingual edition eds. and trans. by Thelma S. Fenster and Christine Reno (review)
  2. Ashley Holt
  3. pp. 198-199
  4. DOI: https://doi.org/10.1353/wfs.2022.0024
  5. restricted access
  1. Le mythe au féminin et l'(in)visibilisation du corps ed. by Brigitte Le Juez and Mekta Zupančič (review)
  2. Mallory Nischan
  3. pp. 199-200
  4. DOI: https://doi.org/10.1353/wfs.2022.0025
  5. restricted access
  1. Teaching Diversity and Inclusion: Examples from a French-Speaking Classroom ed. by E. Nicole Meyer and Eilene Hoft-March (review)
  2. Mary Anne Garnett
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/wfs.2022.0026
  5. restricted access
  1. La maison de la tendresse/House of Tenderness. Nouvelles sur des femmes libanaises/Short stories about Lebanese women by Evelyne Accad (review)
  2. Héloïse Elisabeth Ducatteau
  3. pp. 202-203
  4. DOI: https://doi.org/10.1353/wfs.2022.0027
  5. restricted access
  1. Voix intérieure by Safiatou Ba (review)
  2. Cheryl Toman
  3. pp. 203-205
  4. DOI: https://doi.org/10.1353/wfs.2022.0028
  5. restricted access
  1. Notes on Contributors
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/wfs.2022.0029
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