In this Issue

Table of Contents

Editor's Preface

Nicole Schwindt
pp. 169-171
DOI: https://doi.org/10.1353/fam.2022.0015
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Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana

Richard Sherr
pp. 172-185
DOI: https://doi.org/10.1353/fam.2022.0016
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Maurizio Cazzati's 'Unsold Music'

Rodolfo Zitellini
pp. 186-204
DOI: https://doi.org/10.1353/fam.2022.0017
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Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert

Henrike Rost
pp. 206-227
DOI: https://doi.org/10.1353/fam.2022.0018
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'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM

Emerson Morgan, Christina Linklater, Pramantha Tagore
pp. 229-251
DOI: https://doi.org/10.1353/fam.2022.0019
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Briefs / Feuilletons

pp. 253-254
DOI: https://doi.org/10.1353/fam.2022.0020
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Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II: Political, Social & Ecological Issues by Beverley Diamond and Salwa El-Shawan Castelo-Branco (review)

Aurélie Solenne Gandour
pp. 255-258
DOI: https://doi.org/10.1353/fam.2022.0021
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Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym (review)

Alexander Rehding
pp. 259-261
DOI: https://doi.org/10.1353/fam.2022.0022
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