In this Issue

Table of Contents

Letter from the Guest Editors

Terri Lyne Carrington, Aja Burrell Wood, Tracy McMullen
pp. vii-x
DOI: https://doi.org/10.1353/wam.2023.a912247
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Keynote Talk at Berklee Institute of Jazz and Gender Justice: October 30, 2018

Farah Jasmine Griffin
pp. 1-9
DOI: https://doi.org/10.1353/wam.2023.a912248
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Cornerstone Conversation with Berklee Institute of Jazz and Gender Justice Advisory Board: June 9, 2021

Angela Y. Davis, Farah Jasmine Griffin, Carrie Mae Weems, Gina Dent, Romi Crawford, Nichole Rustin
pp. 10-31
DOI: https://doi.org/10.1353/wam.2023.a912249
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The College Jazz Program as Tradition Making: Establishing a New Lineage in Jazz

Tracy McMullen
pp. 32-50
DOI: https://doi.org/10.1353/wam.2023.a912250
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(Re)Imagining Jazz Education through the Lens of Black Feminist Pedagogy: (Presented at the 2021 Berklee Institute of Jazz and Gender Justice)

Paula Grissom Broughton
pp. 51-61
DOI: https://doi.org/10.1353/wam.2023.a912251
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Fireside Chat with Special Guests: Berklee Institute of Jazz and Gender Justice

Robin D. G. Kelley
pp. 62-67
DOI: https://doi.org/10.1353/wam.2023.a912252
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Lessons in Black Women’s Laughter: A Play-Essay on Parisian Jazz Journeys

Rashida K. Braggs
pp. 68-85
DOI: https://doi.org/10.1353/wam.2023.a912253
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How Do We Sound? How Do We Listen?

Sherrie Tucker
pp. 86-95
DOI: https://doi.org/10.1353/wam.2023.a912254
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Jazz Organizations, Gender Disparities, and the Stereotyping of Black Women

Jordannah Elizabeth
pp. 96-98
DOI: https://doi.org/10.1353/wam.2023.a912255
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Missing Maestra: Meshell Ndegeocello’s We Insist!

Shana L. Redmond, Robeson C. Haley-Redmond
pp. 99-104
DOI: https://doi.org/10.1353/wam.2023.a912256
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New Standards: 101 Lead Sheets by Women Composers ed. by Terri Lyne (review)

Caity Gyorgy
pp. 104-105
DOI: https://doi.org/10.1353/wam.2023.a912257
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Unlikely Angel: The Songs of Dolly Parton by Lydia R. Hamessley (review)

Annie Janeiro Randall
pp. 106-108
DOI: https://doi.org/10.1353/wam.2023.a912258
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From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women’s Symphony Orchestra by Maria Noriega Rachwal (review)

Corinne Cardinal
pp. 108-112
DOI: https://doi.org/10.1353/wam.2023.a912259
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Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound by Daphne A. Brooks (review)

Shanice Wolters
pp. 112-116
DOI: https://doi.org/10.1353/wam.2023.a912260
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Wild Sound: Maryanne Amacher and the Tenses of Audible Life by Amy Cimini (review)

Elizabeth Frickey
pp. 116-120
DOI: https://doi.org/10.1353/wam.2023.a912261
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