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In this Issue

Table of Contents

  1. Letter from the Editors
  2. Lisa Barg, Vanessa Blais-Tremblay, Kimberly White
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/wam.2022.0009
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  1. "Mother City": Mothering Work, Coloured Respectability, and the Making of Contemporary Kaapse Klopse
  2. Francesca Inglese
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/wam.2022.0000
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  1. Bess Disembodied: Camilla Williams's (Re)Sounding Black Womanhood in Porgy and Bess
  2. Annie Kim
  3. pp. 25-44
  4. DOI: https://doi.org/10.1353/wam.2022.0001
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  1. "Thus Do All Women": Comedy, Sentimentality, Ambiguity, and a Così fan tutte for the #MeToo Era
  2. Camille Rogers
  3. pp. 45-67
  4. DOI: https://doi.org/10.1353/wam.2022.0002
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Partial Special issue: Music, Sound, Maternity

  1. Introduction
  2. Erin Johnson-Williams, Michelle Meinhart
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/wam.2022.0003
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  1. Performing Maternal Suffering on the Operatic Stage: The Case of Marguerite in Gounod's Faust
  2. Molly C. Doran
  3. pp. 74-100
  4. DOI: https://doi.org/10.1353/wam.2022.0004
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  1. Silencing "Savage" Soundscapes: Hearing C-Section Births in the British Imperial Record
  2. Erin Johnson-Williams
  3. pp. 101-124
  4. DOI: https://doi.org/10.1353/wam.2022.0005
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  1. "Is Your Baby Getting Enough Music?": Musical Interventions into Gestational Labor
  2. Eric Drott, Marie Thompson
  3. pp. 125-147
  4. DOI: https://doi.org/10.1353/wam.2022.0006
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  1. Contractions, Cries, and COVID: The Traumatic Soundscapes of UK Lockdown Hospital Maternity Wards
  2. Michelle Meinhart
  3. pp. 148-169
  4. DOI: https://doi.org/10.1353/wam.2022.0007
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Reviews

  1. Brought to Life by the Voice: Playback Singing and Cultural Politics in South India by Amanda Weidman (review)
  2. Elizabeth Kramer
  3. pp. 170-175
  4. DOI: https://doi.org/10.1353/wam.2022.0008
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  1. Unbinding Gentility: Women Making Music in the Nineteenth-Century South by Candace Bailey (review)
  2. Lucy Caplan
  3. pp. 175-180
  4. DOI: https://doi.org/10.1353/wam.2022.0010
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  1. Black Diamond Queens: African American Women and Rock and Roll by Maureen Mahon (review)
  2. Kamilla Arku
  3. pp. 180-184
  4. DOI: https://doi.org/10.1353/wam.2022.0011
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