In this Issue

Table of Contents

Unlucky Jim: Conrad, Chance, Ethics

David Dwan
pp. 1-17
DOI: https://doi.org/10.2979/jmodelite.46.1.01
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Reading Borges Ethically

Shea Hennum
pp. 18-33
DOI: https://doi.org/10.2979/jmodelite.46.1.02
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Ye Shall Bear Witness: An Ethics of Survival in W.G. Sebald’s Rings of Saturn

Aubrey Lively
pp. 34-47
DOI: https://doi.org/10.2979/jmodelite.46.1.03
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Ordinary Language for Extraordinary Loss

Maggie Laurel Boyd
pp. 48-65
DOI: https://doi.org/10.2979/jmodelite.46.1.04
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The Secularizing Work of the Novel: Modernist Form and Ian McEwan’s Saturday

Jack Dudley
pp. 66-84
DOI: https://doi.org/10.2979/jmodelite.46.1.05
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The Voice Within: Sylvia Plath’s Juvenilia, 1947–1950

Heather Clark
pp. 85-103
DOI: https://doi.org/10.2979/jmodelite.46.1.06
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Reading Conrad’s Unpublished Trilogy: “Youth,” Heart of Darkness, and Lord Jim

Johan Adam Warodell
pp. 104-119
DOI: https://doi.org/10.2979/jmodelite.46.1.07
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The Emergence of Resemblances between People: Stein’s Diagrams in The Making of Americans

Howard Fisher
pp. 120-140
DOI: https://doi.org/10.2979/jmodelite.46.1.08
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American Fascism and the Historical Underpinnings of Kurt Vonnegut’s Mother Night

Susan Farrell
pp. 141-157
DOI: https://doi.org/10.2979/jmodelite.46.1.09
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Occult Surrealism as “Profane Illumination”: Mina Loy, Leonora Carrington, and Ithell Colquhoun

Walter Kalaidjian
pp. 158-176
DOI: https://doi.org/10.2979/jmodelite.46.1.10
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“Going Dead Slow”: Joseph Conrad’s Writing the Now, a review of Yael Levin, Joseph Conrad: Slow Modernism

Christopher GoGwilt
pp. 177-188
DOI: https://doi.org/10.2979/jmodelite.46.1.11
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Kafka, or What Does Literature Sound Like?

John Zilcosky
pp. 189-192
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Derridean Deconstruction and Modernist Writer-Sons

Ashley Byczkowski
pp. 193-196
DOI: https://doi.org/10.2979/jmodelite.46.1.13
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Revitalizing Close Reading

Ali AlYousefi
pp. 197-200
DOI: https://doi.org/10.2979/jmodelite.46.1.14
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