In this Issue

Table of Contents

Introduction: In Touch with the In/Human

Maria Roca Lizarazu, Simone Pfleger
pp. 221-230
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Becoming Queer In/Human in Sasha Marianna Salzmann’s Außer sich (2017)

Francesco Albé
pp. 231-250
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Queering the Screen: Spectral Figures and German-Taiwanese Encounters in Monika Treut’s Ghosted

Qingyang Freya Zhou
pp. 251-270
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Valences of the Human: Grief and Queer Utopia in Olga Grjasnowa’s Der Russe ist einer, der Birken liebt and Olivia Wenzel’s 1000 Serpentinen Angst

Denise Henschel
pp. 271-288
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Theatre Meets Quantum Physics: René Pollesch’s Theatre for the Age of Technoscience

Teresa Kovacs
pp. 289-307
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Undoing the Human in the Films of Maren Ade

Dora Osborne
pp. 308-327
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Chronic Crisis Novels and the Quest for “the Good-Enough Life”: Kathrin Röggla’s die alarmbereiten, Kristine Bilkau’s Die Glücklichen, and Thorsten Nagelschmidt’s Arbeit

Anne Fuchs
pp. 328-348
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Precarious Times: Temporality and History in Modern German Culture by Anne Fuchs (review)

Helga Druxes
pp. 349-351
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Prekäre Kollektive: Das Gemeinschafts-Denken bei Kafka und Derrida by Shuang Xu (review)

Ulrich Plass
pp. 351-354
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Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema by Maria Stehle and Beverly Weber (review)

Ervin Malakaj
pp. 354-356
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Sensitive Subjects: The Political Aesthetics of Contemporary German and Austrian Cinema by Leila Mukhida (review)

Claudia Breger
pp. 356-359
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