In this Issue

Table of Contents

Can the Sundarbans Speak? Multispecies Collectivity in Salman Rushdie's Midnight's Children

Kuhelika Ghosh
pp. 1-26
DOI: https://doi.org/10.1353/ari.2023.0000
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Extractivist Imaginaries in Australia's Latrobe Valley: Slow Violence and True Crime in Chloe Hooper's The Arsonist and Tom Doig's Hazelwood

Emily Potter
pp. 27-54
DOI: https://doi.org/10.1353/ari.2023.0001
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Animals in the Writing of Bharati Mukherjee

Ruth Maxey
pp. 55-71
DOI: https://doi.org/10.1353/ari.2023.0002
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Haunted Houses and Ghostly Homes: Kacen Callender's Hurricane Child as a Rewriting of Jamaica Kincaid's Annie John

Giselle Liza Anatol
pp. 73-101
DOI: https://doi.org/10.1353/ari.2023.0003
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Recovering May Price: A Longitudinal Reading of Amitav Ghosh's The Shadow Lines

Pooja Sancheti
pp. 103-129
DOI: https://doi.org/10.1353/ari.2023.0004
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The Death of an Author

Henghameh Saroukhani, Sarah Lawson Welsh, Michael Perfect
pp. 131-134
DOI: https://doi.org/10.1353/ari.2023.0005
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Speaking from Memory: Thoughts and Recollections from a Life with Andrea Levy

Bill Mayblin
pp. 135-158
DOI: https://doi.org/10.1353/ari.2023.0006
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Poetry in a Global Age by Jahan Ramazani (review)

Mathias Iroro Orhero
pp. 159-163
DOI: https://doi.org/10.1353/ari.2023.0007
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A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being by Kaiama L. Glover (review)

Jake J. McGuirk
pp. 163-166
DOI: https://doi.org/10.1353/ari.2023.0008
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Riff: The Shake Keane Story by Philip Nanton (review)

Veronica Austen
pp. 166-169
DOI: https://doi.org/10.1353/ari.2023.0009
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Contributors

pp. 171-173
DOI: https://doi.org/10.1353/ari.2023.0010
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