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In this Issue

Table of Contents

  1. Confronting the Past, Dreaming the Future: Shakespeare’s A Midsummer Night’s Dream in Modern Performance
  2. Sarah Crover, Natalia Khomenko
  3. pp. 313-327
  4. DOI: https://doi.org/10.1353/shb.2022.0031
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  1. Giving “Airy Nothings” Shape: Julie Taymor’s A Midsummer Night’s Dream
  2. Alicia Andrzejewski
  3. pp. 329-345
  4. DOI: https://doi.org/10.1353/shb.2022.0032
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  1. All is Mended? Activism and Eco-Anxiety in Bright Summer Night
  2. Jennifer Flaherty
  3. pp. 347-363
  4. DOI: https://doi.org/10.1353/shb.2022.0033
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  1. “Cheerful, carefree, beautiful life”: The Trouble with Staging A Midsummer Night’s Dream in Early Soviet Theater
  2. Natalia Khomenko
  3. pp. 365-383
  4. DOI: https://doi.org/10.1353/shb.2022.0034
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  1. Realizing a Subaltern Dream: The Politics of Language and Translation in Habib Tanvir’s Kamdev Ka Apna Basant Ritu Ka Sapna
  2. Anandi Rao
  3. pp. 385-401
  4. DOI: https://doi.org/10.1353/shb.2022.0035
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  1. Appropriating Shakespeare in Brazil: Cultural Anthropophagy in Nós do Morro’s Dream
  2. Anna Stegh Camati
  3. pp. 410-415
  4. DOI: https://doi.org/10.1353/shb.2022.0036
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  1. Local Habitations of A Midsummer Night’s Dream
  2. Alexa Alice Joubin
  3. pp. 417-437
  4. DOI: https://doi.org/10.1353/shb.2022.0037
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  1. Henry V (review)
  2. Hailey Bachrach
  3. pp. 439-442
  4. DOI: https://doi.org/10.1353/shb.2022.0038
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  1. Macbeth (review)
  2. Samuel Jermy
  3. pp. 442-446
  4. DOI: https://doi.org/10.1353/shb.2022.0039
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  1. Romeo and Juliet (review)
  2. Noel Sloboda
  3. pp. 446-449
  4. DOI: https://doi.org/10.1353/shb.2022.0040
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  1. The Tempest (review)
  2. Madeline Rose
  3. pp. 451-454
  4. DOI: https://doi.org/10.1353/shb.2022.0041
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  1. The Merchant of Venice (review)
  2. Bernard Charles Krumm
  3. pp. 454-459
  4. DOI: https://doi.org/10.1353/shb.2022.0042
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  1. The Witch of Edmonton (review)
  2. Amy Scott
  3. pp. 460-464
  4. DOI: https://doi.org/10.1353/shb.2022.0043
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  1. Joji (review)
  2. Abhishek Sarkar, Balagopal S. Menon
  3. pp. 464-468
  4. DOI: https://doi.org/10.1353/shb.2022.0044
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  1. Live at the Porpentine: A Comedy of Errors (review)
  2. Robin Alfriend Kello
  3. pp. 468-471
  4. DOI: https://doi.org/10.1353/shb.2022.0045
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  1. Much Ado About Nothing (review)
  2. Michael W. Shurgot
  3. pp. 471-474
  4. DOI: https://doi.org/10.1353/shb.2022.0046
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  1. Shakespeare’s Accents: Voicing Identity in Performance by Sonia Massai (review)
  2. Carla Della Gatta
  3. pp. 475-479
  4. DOI: https://doi.org/10.1353/shb.2022.0047
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