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In this Issue

Table of Contents

  1. La diversité dans le cinéma français: Tout simplement noir et Regard noir
  2. Christophe Corbin
  3. DOI: https://doi.org/10.1353/tfr.2022.0311
  4. open access
  1. From the Editor’s Desk: Articles submitted 1 June 2021–31 May 2022 (Vol. 95)
  2. Carine Bourget
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/tfr.2022.0207
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  1. Bloc-notes culturel 2021: l’entre-deux
  2. Matthieu Dalle
  3. pp. 19-41
  4. DOI: https://doi.org/10.1353/tfr.2022.0208
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  1. The Business of Literature in Times of Covid: The Novel in 2021
  2. William Cloonan
  3. pp. 43-58
  4. DOI: https://doi.org/10.1353/tfr.2022.0209
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  1. The Year 2021 in Poetry: Landscape of Desire
  2. Maryann De Julio
  3. pp. 59-67
  4. DOI: https://doi.org/10.1353/tfr.2022.0210
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  1. The Integrated Performance Assessment at the Novice Level: An Experiment that Works
  2. Lars Erickson, LeAnne Spino
  3. pp. 69-91
  4. DOI: https://doi.org/10.1353/tfr.2022.0211
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  1. The Fantastic Strikes Back: La main du diable as Résistance Allegory
  2. Hanna Laruelle
  3. pp. 93-107
  4. DOI: https://doi.org/10.1353/tfr.2022.0212
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  1. Beauvoir censurée au Québec à la veille de la Révolution tranquille
  2. Vincent Grégoire
  3. pp. 109-126
  4. DOI: https://doi.org/10.1353/tfr.2022.0213
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  1. Les impatientes de Djaïli Amadou Amal: fiction et argumentation
  2. Laïth Ibrahim
  3. pp. 127-142
  4. DOI: https://doi.org/10.1353/tfr.2022.0214
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  1. Roman policier et écocritique dans Le parfum des sirènes de Gisèle Pineau
  2. Véronique Maisier
  3. pp. 143-158
  4. DOI: https://doi.org/10.1353/tfr.2022.0215
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  1. Un thé littéraire avec Mohamed Nedali
  2. Carole Edwards, El Arbi El Bakkali
  3. pp. 173-184
  4. DOI: https://doi.org/10.1353/tfr.2022.0217
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  1. Œdipe n’est pas coupable par Pierre Bayard (review)
  2. Khadija Khalifé
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/tfr.2022.0225
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  1. Scripting Shame in African Literature by L. Stephen Bishop (review)
  2. Haniyeh B. Pasandi
  3. p. 189
  4. DOI: https://doi.org/10.1353/tfr.2022.0144
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  1. Mormons in Paris: Polygamy on the French Stage, 1874–1892 ed. by Corry Cropper, and Christopher M. Flood (review)
  2. Bruce Hayes
  3. p. 192
  4. DOI: https://doi.org/10.1353/tfr.2022.0155
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  1. Christine Angot: une écriture de l’altérité par Francesca Forcolin (review)
  2. Gloria Kwok
  3. p. 193
  4. DOI: https://doi.org/10.1353/tfr.2022.0164
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  1. Territoires de la non-fiction: cartographie d’un genre émergent ed. by Alexandre Gefen (review)
  2. Warren Motte
  3. p. 194
  4. DOI: https://doi.org/10.1353/tfr.2022.0166
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  1. Gender and Voice in Medieval French Literature and Song ed. by Rachel May Golden and Katerine Kong (review)
  2. Juliana Starr
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/tfr.2022.0167
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  1. Résurgence de l’Histoire dans la fiction: les massacres du by Michel Laronde (review)
  2. Jennifer Howell
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/tfr.2022.0313
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  1. Exile, Non-Belonging, and Statelessness in Grangaud, Jabès, Lubin, and Luca: No Man’s Language by Greg Kerr (review)
  2. Anoosheh Ghaderi
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/tfr.2022.0170
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  1. Postcolonialism and Migration in French Comics by Mark McKinney (review)
  2. Patricia Geesey
  3. p. 202
  4. DOI: https://doi.org/10.1353/tfr.2022.0182
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  1. Voltaire et son lecteur: essai sur la séduction littéraire par Sylvain Menant (review)
  2. Aude Jehan
  3. p. 203
  4. DOI: https://doi.org/10.1353/tfr.2022.0184
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  1. Transpositions: Migration, Translation, Music ed. by Alison Rice (review)
  2. Étienne Achille
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/tfr.2022.0197
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  1. The Play of Light: Jacques Roubaud, Emmanuel Hocquard, and Friends by Ann Smock (review)
  2. Andrew P. Clark
  3. p. 206
  4. DOI: https://doi.org/10.1353/tfr.2022.0204
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  1. Moral Cupidity and Lettres de Cachet in Diderot’s Writings by Jennifer Vanderheyden (review)
  2. Diane Fourny
  3. p. 207
  4. DOI: https://doi.org/10.1353/tfr.2022.0220
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  1. Femmes et philosophie des Lumières: de l’imaginaire à la vie des idées ed. by Laurence Vanoflen (review)
  2. Lynn R. Wilkinson
  3. p. 208
  4. DOI: https://doi.org/10.1353/tfr.2022.0221
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  1. Charles Nodier par Georges Zaragoza (review)
  2. Edward Ousselin
  3. p. 209
  4. DOI: https://doi.org/10.1353/tfr.2022.0222
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  1. Au loin le ciel du sud par Joseph Andras, and: Ainsi nous leur faisons la guerre par Joseph Andras (review)
  2. Khadija Khalifé
  3. pp. 210-211
  4. DOI: https://doi.org/10.1353/tfr.2022.0223
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  1. Cheffes de Cuisine: Women and Work in the Professional French Kitchen by Rachel E. Black (review)
  2. Celina Vargas
  3. pp. 212-213
  4. DOI: https://doi.org/10.1353/tfr.2022.0145
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  1. Sounds Senses ed. by Yasser Elhariry (review)
  2. Aaron Prevots
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/tfr.2022.0163
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  1. Holding On and Holding Out: Jewish Diaries from Wartime France by Anne Freadman (review)
  2. Michelle Beauclair
  3. p. 218
  4. DOI: https://doi.org/10.1353/tfr.2022.0165
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  1. Résurgence de l’Histoire dans la fiction: les massacres du par Michel Laronde (review)
  2. Michèle Bacholle
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/tfr.2022.0173
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  1. Shushei au pays des Innus par José Mailhot (review)
  2. Sandra Mefoude-Obiono
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/tfr.2022.0180
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  1. Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France by Robin Mitchell (review)
  2. Virginie Ems-Bléneau
  3. p. 223
  4. DOI: https://doi.org/10.1353/tfr.2022.0187
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  1. Transpositions: Migration, Translation, Music ed. by Alison Rice (review)
  2. Catherine Gaughan
  3. p. 224
  4. DOI: https://doi.org/10.1353/tfr.2022.0196
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  1. Danser au milieu du chaos: secrets zen d’une nonne bouddhiste by Kankyo Tannier (review)
  2. Michel Gueldry
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/tfr.2022.0206
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  1. Une dosette, in the pocket by Isabelle Sezionale Basilicato (review)
  2. Jennifer L. Holm
  3. pp. 229-230
  4. DOI: https://doi.org/10.1353/tfr.2022.0224
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  1. Porca miseria par Tonino Benacquista (review)
  2. Edward Ousselin
  3. p. 231
  4. DOI: https://doi.org/10.1353/tfr.2022.0142
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  1. Satisfaction par Nina Bouraoui (review)
  2. Lydia Belatèche
  3. p. 232
  4. DOI: https://doi.org/10.1353/tfr.2022.0149
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  1. Le temps de Tycho par Nicolas Cavaillès (review)
  2. Louis Bousquet
  3. pp. 233-234
  4. DOI: https://doi.org/10.1353/tfr.2022.0151
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  1. Mausolée by Louise Chennevière (review)
  2. Jane E. Evans
  3. p. 235
  4. DOI: https://doi.org/10.1353/tfr.2022.0152
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  1. Mur Méditerranée par Louis-Philippe Dalembert (review)
  2. Fenian Kenney
  3. p. 236
  4. DOI: https://doi.org/10.1353/tfr.2022.0156
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  1. Laissez-moi vous rejoindre par Amina Damerdji (review)
  2. Michèle Bacholle
  3. p. 237
  4. DOI: https://doi.org/10.1353/tfr.2022.0157
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  1. Pas dormir by Marie Darrieussecq (review)
  2. Eilene Hoft-March
  3. p. 238
  4. DOI: https://doi.org/10.1353/tfr.2022.0158
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  1. Le fils de l’homme par Jean-Baptiste Del Amo (review)
  2. Roxane Petit-Rasselle
  3. p. 239
  4. DOI: https://doi.org/10.1353/tfr.2022.0159
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  1. Le rire des déesses par Ananda Devi (review)
  2. Nikhita Obeegadoo
  3. p. 240
  4. DOI: https://doi.org/10.1353/tfr.2022.0161
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  1. La vie des morts by Jean-Marie Laclavetine (review)
  2. Mark D. Lee
  3. p. 241
  4. DOI: https://doi.org/10.1353/tfr.2022.0171
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  1. Sur la route avec Bashō by Dany Laferrière (review)
  2. Kate M. Bonin
  3. pp. 242-243
  4. DOI: https://doi.org/10.1353/tfr.2022.0172
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  1. Grand chelem by François Leblanc (review)
  2. Ritt Deitz
  3. pp. 244-245
  4. DOI: https://doi.org/10.1353/tfr.2022.0174
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  1. Les aquatiques par Osvalde Lewat (review)
  2. Patrick Hervé Moneyang
  3. pp. 246-247
  4. DOI: https://doi.org/10.1353/tfr.2022.0176
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  1. Vous les autres par Mathieu Lindon (review)
  2. Denis R. Pra
  3. p. 248
  4. DOI: https://doi.org/10.1353/tfr.2022.0177
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  1. Et même l’enfer n’est pas grand-chose by Bruno Lus (review)
  2. Alain Ranwez
  3. p. 249
  4. DOI: https://doi.org/10.1353/tfr.2022.0178
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  1. Quelque membre de notre cercle by Danielle Mémoire (review)
  2. Warren Motte
  3. p. 250
  4. DOI: https://doi.org/10.1353/tfr.2022.0183
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  1. La garde-robe par Sébastien Ministru (review)
  2. Christian Roche
  3. p. 251
  4. DOI: https://doi.org/10.1353/tfr.2022.0186
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  1. Les enfants de Cadillac par François Noudelmann (review)
  2. Vivan Steemers
  3. p. 252
  4. DOI: https://doi.org/10.1353/tfr.2022.0189
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  1. L’empereur par Makenzy Orcel (review)
  2. Annie Bandy
  3. p. 253
  4. DOI: https://doi.org/10.1353/tfr.2022.0190
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  1. Les villages de Dieu par Emmelie Prophète (review)
  2. Jason Herbeck
  3. p. 254
  4. DOI: https://doi.org/10.1353/tfr.2022.0193
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  1. L’ordre des choses by Bruno Remaury (review)
  2. Joseph A. Reiter
  3. p. 255
  4. DOI: https://doi.org/10.1353/tfr.2022.0195
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  1. Sémi par Aki Shimazaki (review)
  2. Nacer Khelouz
  3. p. 256
  4. DOI: https://doi.org/10.1353/tfr.2022.0201
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  1. Le parfum des fleurs la nuit par Leïla Slimani (review)
  2. Marie-Agnès Sourieau
  3. p. 257
  4. DOI: https://doi.org/10.1353/tfr.2022.0203
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  1. La femme et l’oiseau par Isabelle Sorente (review)
  2. Khadija Khalifé
  3. p. 258
  4. DOI: https://doi.org/10.1353/tfr.2022.0205
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  1. Un tesson d’éternité by Tong Cuong, Valérie (review)
  2. Araceli Hernández-Laroche
  3. pp. 259-260
  4. DOI: https://doi.org/10.1353/tfr.2022.0218
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  1. Les français d’ici en perspective éd. par Davy Bigot et al (review)
  2. Carly Bahler
  3. pp. 261-262
  4. DOI: https://doi.org/10.1353/tfr.2022.0143
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  1. Grande grammaire historique du français (GGHF) éd. par Christiane Marchello-Nizia et al (review)
  2. Olivier Bertrand
  3. p. 263
  4. DOI: https://doi.org/10.1353/tfr.2022.0181
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  1. Je parle comme je suis: ce que nos mots nous disent de nous by Julie Neveux (review)
  2. Chloe Mais Hagen
  3. p. 264
  4. DOI: https://doi.org/10.1353/tfr.2022.0188
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  1. Magies de la répétition par Emmanuelle Park-Derrington (review)
  2. Charles A. Mignot
  3. pp. 265-266
  4. DOI: https://doi.org/10.1353/tfr.2022.0192
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  1. La story de la langue française: ce que le français doit à l’anglais et vice-versa by Jean Pruvost (review)
  2. Amanda Dalola
  3. pp. 267-268
  4. DOI: https://doi.org/10.1353/tfr.2022.0194
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  1. Conjugaison progressive du français: A2B1 Intermédiaire by Michèle Boularès et Odile Grand-Clément (review)
  2. Kimberly Jansma
  3. p. 270
  4. DOI: https://doi.org/10.1353/tfr.2022.0153
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  1. L’atelier: méthode de français B2 by Marie-Noëlle Cocton (review)
  2. Clarissa Eagle
  3. p. 271
  4. DOI: https://doi.org/10.1353/tfr.2022.0148
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  1. Défi francophone 1 by Hedwige Meyer et Lorenzo Giachetti (review)
  2. Jessica L. Sturm
  3. p. 272
  4. DOI: https://doi.org/10.1353/tfr.2022.0185
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  1. Manon, l’échec au roi par Ernesto Rodríguez et Christian Lause (review)
  2. Jessica Sertling Miller
  3. p. 273
  4. DOI: https://doi.org/10.1353/tfr.2022.0198
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  1. Sur le vif: niveau intermédiaire by Clare Tufts and Hannelore Jarausch (review)
  2. Sarah Glasco
  3. pp. 274-275
  4. DOI: https://doi.org/10.1353/tfr.2022.0219
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  1. Sans répit par Régis Blondeau réal. (review)
  2. Khadija Khalifé
  3. p. 276
  4. DOI: https://doi.org/10.1353/tfr.2022.0146
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  1. Eiffel par Martin Bourboulon, réal. (review)
  2. Marius Conceatu
  3. p. 277
  4. DOI: https://doi.org/10.1353/tfr.2022.0150
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  1. France par Bruno Dumont, réal. (review)
  2. Anne Cirella-Urrutia
  3. p. 278
  4. DOI: https://doi.org/10.1353/tfr.2022.0162
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  1. Mystère by Denis Imbert, réal. (review)
  2. Ann Marie Moore
  3. p. 279
  4. DOI: https://doi.org/10.1353/tfr.2022.0168
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  1. BAC Nord par Cédric Jimenez, réal. (review)
  2. Michele Chossat
  3. p. 280
  4. DOI: https://doi.org/10.1353/tfr.2022.0169
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  1. Les manufactures de nos rêves: les studios de cinéma français des années 1930 par Morgan Lefeuvre (review)
  2. Edward Ousselin
  3. pp. 281-282
  4. DOI: https://doi.org/10.1353/tfr.2022.0175
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  1. Tout s’est bien passé par François Ozon, réal. (review)
  2. Levilson C. Reis
  3. p. 283
  4. DOI: https://doi.org/10.1353/tfr.2022.0191
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  1. Petite maman par Céline Sciamma, réal. (review)
  2. François Massonnat
  3. p. 284
  4. DOI: https://doi.org/10.1353/tfr.2022.0199
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