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Table of Contents

  1. Storyminds and Readingminds: Cognitive Plots in David Small’s Stitches and Virginia Woolf ’s “In the Orchard”
  2. Melba Cuddy-Keane
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/nar.2023.0000
  5. restricted access
  1. Dramatic Poetry as Rhetorical Form: The Case of Sarah Piatt’s “Mock Diamonds”
  2. Matthew Martello
  3. pp. 26-48
  4. DOI: https://doi.org/10.1353/nar.2023.0001
  5. restricted access
  1. Character Networks, the Zero Function, and the Lost Character: Solving Three Anomalies in Plot Genotype Theory
  2. Terence Patrick Murphy, Nanna Sophie Zheng
  3. pp. 49-68
  4. DOI: https://doi.org/10.1353/nar.2023.0002
  5. restricted access
  1. Restorying the Sport Performance Masterplot: Jaclyn Gilbert’s Late Air
  2. Caela Fenton
  3. pp. 69-88
  4. DOI: https://doi.org/10.1353/nar.2023.0003
  5. restricted access
  1. Julian Barnes and the Subversion of the Sense of an Ending
  2. Tung-An Wei
  3. pp. 89-101
  4. DOI: https://doi.org/10.1353/nar.2023.0004
  5. restricted access
  1. Reading Unnaturally: A Response to Ellen Peel
  2. Jan Alber, Brian Richardson
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/nar.2023.0005
  5. restricted access
  1. Knowing What’s Unnatural for Somebody: A Reply to Jan Alber and Brian Richardson
  2. Ellen Peel
  3. pp. 106-109
  4. DOI: https://doi.org/10.1353/nar.2023.0006
  5. restricted access