In this Issue

Table of Contents

Editorial Comment: Pathologies, Performance, and Promiscuous Care

Laura Edmondson
pp. ix-xvi
DOI: https://doi.org/10.1353/tj.2022.0090
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Is This Ballroom a Bathhouse? The Promise and Peril of Coming Together

Patrick Anderson, Patricia Ybarra
pp. 419-440
DOI: https://doi.org/10.1353/tj.2022.0091
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Viral Networks: HIV and AIDS, Performance, and the Sexual Politics of the Swedish Welfare State in the 1980s

Dirk Gindt
pp. 441-462
DOI: https://doi.org/10.1353/tj.2022.0092
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Epidemic Dramaturgies: Theatre and Public Memory during New York City's 1832 Cholera Outbreak

Mia Levenson
pp. 463-484
DOI: https://doi.org/10.1353/tj.2022.0093
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Dancing Plague: Archives of Celebration and Care in Bill T. Jones and Arnie Zane's Secret Pastures

Ariel Nereson
pp. 485-506
DOI: https://doi.org/10.1353/tj.2022.0094
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Man of God by Anna Ouyang Moench (review)

Nyla Numan
pp. 507-509
DOI: https://doi.org/10.1353/tj.2022.0095
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Wolf Play by Hansol Jung (review)

Jieun Lee
pp. 509-510
DOI: https://doi.org/10.1353/tj.2022.0096
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The Chinese Lady by Lloyd Suh (review)

Dohyun Gracia Shin
pp. 511-513
DOI: https://doi.org/10.1353/tj.2022.0097
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Fourth Chicago International Puppet Theatre Festival (review)

Loren Kruger
pp. 513-517
DOI: https://doi.org/10.1353/tj.2022.0098
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Abomination: A Dup Opera dir. by Conor Mitchell (review)

Chaomei Chen
pp. 517-519
DOI: https://doi.org/10.1353/tj.2022.0099
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Company by Stephen Sondheim and George Furth (review)

Jennifer A. Low
pp. 519-524
DOI: https://doi.org/10.1353/tj.2022.0100
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Born with Teeth by Liz Duffy Adams, and: Dog Act by Liz Duffy Adams (review)

Elizabeth Klett
pp. 524-527
DOI: https://doi.org/10.1353/tj.2022.0101
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Plautus and the English Renaissance of Comedy by Richard F. Hardin (review)

Sukanta Chaudhuri
pp. 529-530
DOI: https://doi.org/10.1353/tj.2022.0102
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Games and Theatre in Shakespeare's England ed. by Tom Bishop, Gina Bloom, and Erika T. Lin (review)

Doyeeta Majumder
pp. 530-532
DOI: https://doi.org/10.1353/tj.2022.0103
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Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

Timothy B. Malchow
pp. 532-533
DOI: https://doi.org/10.1353/tj.2022.0104
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Brecht in India: The Poetics and Politics of Transcultural Theatre by Dr. Prateek (review)

Kristen Rudisill
pp. 533-535
DOI: https://doi.org/10.1353/tj.2022.0105
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Early English Performance: Medi Eval Plays and Robin Hood Games by John Marshall (review)

John T. Sebastian
pp. 535-536
DOI: https://doi.org/10.1353/tj.2022.0106
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Index to Volume 74

pp. 539-546
DOI: https://doi.org/10.1353/tj.2022.0107
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Proximity, Precarity, and Microscopic Distinctions in Nonhuman Performance: An Interview with Pei-Ying Lin

Elizabeth Schiffler
pp. E-101-E-110
DOI: https://doi.org/10.1353/tj.2022.0089
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Violent Continuities and the Possibility of Hope

Patricia Ybarra
pp. E-85-E-88
DOI: https://doi.org/10.1353/tj.2022.0087
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"A Period of Extreme Uncertainty": A Conversation on Pandemic Theatre by AAPI Companies in California

Janine Sun Rogers, Sean Metzger
pp. E-89-E-100
DOI: https://doi.org/10.1353/tj.2022.0088
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