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In this Issue

Table of Contents

  1. Editorial Comment: Pathologies, Performance, and Promiscuous Care
  2. Laura Edmondson
  3. pp. ix-xvi
  4. DOI: https://doi.org/10.1353/tj.2022.0090
  5. restricted access
  1. Is This Ballroom a Bathhouse? The Promise and Peril of Coming Together
  2. Patrick Anderson, Patricia Ybarra
  3. pp. 419-440
  4. DOI: https://doi.org/10.1353/tj.2022.0091
  5. restricted access
  1. Viral Networks: HIV and AIDS, Performance, and the Sexual Politics of the Swedish Welfare State in the 1980s
  2. Dirk Gindt
  3. pp. 441-462
  4. DOI: https://doi.org/10.1353/tj.2022.0092
  5. restricted access
  1. Epidemic Dramaturgies: Theatre and Public Memory during New York City's 1832 Cholera Outbreak
  2. Mia Levenson
  3. pp. 463-484
  4. DOI: https://doi.org/10.1353/tj.2022.0093
  5. restricted access
  1. Dancing Plague: Archives of Celebration and Care in Bill T. Jones and Arnie Zane's Secret Pastures
  2. Ariel Nereson
  3. pp. 485-506
  4. DOI: https://doi.org/10.1353/tj.2022.0094
  5. restricted access
  1. Man of God by Anna Ouyang Moench (review)
  2. Nyla Numan
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/tj.2022.0095
  5. restricted access
  1. Wolf Play by Hansol Jung (review)
  2. Jieun Lee
  3. pp. 509-510
  4. DOI: https://doi.org/10.1353/tj.2022.0096
  5. restricted access
  1. The Chinese Lady by Lloyd Suh (review)
  2. Dohyun Gracia Shin
  3. pp. 511-513
  4. DOI: https://doi.org/10.1353/tj.2022.0097
  5. restricted access
  1. Fourth Chicago International Puppet Theatre Festival (review)
  2. Loren Kruger
  3. pp. 513-517
  4. DOI: https://doi.org/10.1353/tj.2022.0098
  5. restricted access
  1. Abomination: A Dup Opera dir. by Conor Mitchell (review)
  2. Chaomei Chen
  3. pp. 517-519
  4. DOI: https://doi.org/10.1353/tj.2022.0099
  5. restricted access
  1. Company by Stephen Sondheim and George Furth (review)
  2. Jennifer A. Low
  3. pp. 519-524
  4. DOI: https://doi.org/10.1353/tj.2022.0100
  5. restricted access
  1. Born with Teeth by Liz Duffy Adams, and: Dog Act by Liz Duffy Adams (review)
  2. Elizabeth Klett
  3. pp. 524-527
  4. DOI: https://doi.org/10.1353/tj.2022.0101
  5. restricted access
  1. Plautus and the English Renaissance of Comedy by Richard F. Hardin (review)
  2. Sukanta Chaudhuri
  3. pp. 529-530
  4. DOI: https://doi.org/10.1353/tj.2022.0102
  5. restricted access
  1. Games and Theatre in Shakespeare's England ed. by Tom Bishop, Gina Bloom, and Erika T. Lin (review)
  2. Doyeeta Majumder
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/tj.2022.0103
  5. restricted access
  1. Brecht in India: The Poetics and Politics of Transcultural Theatre by Dr. Prateek (review)
  2. Kristen Rudisill
  3. pp. 533-535
  4. DOI: https://doi.org/10.1353/tj.2022.0105
  5. restricted access
  1. Early English Performance: Medi Eval Plays and Robin Hood Games by John Marshall (review)
  2. John T. Sebastian
  3. pp. 535-536
  4. DOI: https://doi.org/10.1353/tj.2022.0106
  5. restricted access
  1. Index to Volume 74
  2. pp. 539-546
  3. DOI: https://doi.org/10.1353/tj.2022.0107
  4. restricted access
  1. Proximity, Precarity, and Microscopic Distinctions in Nonhuman Performance: An Interview with Pei-Ying Lin
  2. Elizabeth Schiffler
  3. pp. E-101-E-110
  4. DOI: https://doi.org/10.1353/tj.2022.0089
  5. restricted access
  1. Violent Continuities and the Possibility of Hope
  2. Patricia Ybarra
  3. pp. E-85-E-88
  4. DOI: https://doi.org/10.1353/tj.2022.0087
  5. restricted access
  1. "A Period of Extreme Uncertainty": A Conversation on Pandemic Theatre by AAPI Companies in California
  2. Janine Sun Rogers, Sean Metzger
  3. pp. E-89-E-100
  4. DOI: https://doi.org/10.1353/tj.2022.0088
  5. restricted access