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Table of Contents

  1. Notes on Contributors: Volume 32, Number 2, January 2022
  3. DOI: https://doi.org/10.1353/pmc.2022.0000
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  1. Artifact Functionality and the Logic of Trash in Videogames
  2. Erick Verran
  3. DOI: https://doi.org/10.1353/pmc.2022.0001
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  1. Against Digital Worldlessness: Arendt, Narrative, and the Onto-Politics of Big Data/AI Technologies
  2. Ewa Płonowska Ziarek
  3. DOI: https://doi.org/10.1353/pmc.2022.0002
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  1. The Decline of Phatic Efficiency
  2. Matthew J. Rigilano
  3. DOI: https://doi.org/10.1353/pmc.2022.0003
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  1. Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice
  2. Matthew Scully
  3. DOI: https://doi.org/10.1353/pmc.2022.0004
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  1. Climates of the Absurd in Chantal Peñalosa and José-Luis Moctezuma’s “CCTV”
  2. Judith Goldman
  3. DOI: https://doi.org/10.1353/pmc.2022.0005
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  1. “CCTV”: Visual Text by Chantal Peñalosa & Jose-Luis Moctezuma
  3. DOI: https://doi.org/10.1353/pmc.2022.0006
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  1. Underground Fanon: A Review of Gavin Arnall, Subterranean Fanon: An Underground Theory of Radical Change
  2. Anthony C. Alessandrini
  3. DOI: https://doi.org/10.1353/pmc.2022.0007
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  1. Two, Three, Many Instituent Instances in Common: A review of Pierre Dardot and Christian Laval, Common: On Revolution in the 21st Century.
  2. Robert F. Carley
  3. DOI: https://doi.org/10.1353/pmc.2022.0008
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  1. Challenging Theater in the Special Period: A review of Bretton White, Staging Discomfort: Performance and Queerness in Contemporary Cuba
  2. Katherine Ford
  3. DOI: https://doi.org/10.1353/pmc.2022.0009
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  1. Neither Optimism nor Pessimism: A review of David Marriott, Whither Fanon?
  2. Geo Maher
  3. DOI: https://doi.org/10.1353/pmc.2022.0010
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