In this Issue

Table of Contents

Notes on Contributors: Volume 32, Number 2, January 2022

DOI: https://doi.org/10.1353/pmc.2022.0000
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Artifact Functionality and the Logic of Trash in Videogames

Erick Verran
DOI: https://doi.org/10.1353/pmc.2022.0001
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Against Digital Worldlessness: Arendt, Narrative, and the Onto-Politics of Big Data/AI Technologies

Ewa Płonowska Ziarek
DOI: https://doi.org/10.1353/pmc.2022.0002
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The Decline of Phatic Efficiency

Matthew J. Rigilano
DOI: https://doi.org/10.1353/pmc.2022.0003
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Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice

Matthew Scully
DOI: https://doi.org/10.1353/pmc.2022.0004
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Climates of the Absurd in Chantal Peñalosa and José-Luis Moctezuma’s “CCTV”

Judith Goldman
DOI: https://doi.org/10.1353/pmc.2022.0005
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“CCTV”: Visual Text by Chantal Peñalosa & Jose-Luis Moctezuma

DOI: https://doi.org/10.1353/pmc.2022.0006
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Underground Fanon: A Review of Gavin Arnall, Subterranean Fanon: An Underground Theory of Radical Change

Anthony C. Alessandrini
DOI: https://doi.org/10.1353/pmc.2022.0007
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Two, Three, Many Instituent Instances in Common: A review of Pierre Dardot and Christian Laval, Common: On Revolution in the 21st Century.

Robert F. Carley
DOI: https://doi.org/10.1353/pmc.2022.0008
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Challenging Theater in the Special Period: A review of Bretton White, Staging Discomfort: Performance and Queerness in Contemporary Cuba

Katherine Ford
DOI: https://doi.org/10.1353/pmc.2022.0009
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Neither Optimism nor Pessimism: A review of David Marriott, Whither Fanon?

Geo Maher
DOI: https://doi.org/10.1353/pmc.2022.0010
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