In this Issue

Table of Contents

Introduction: New Sonic Approaches in Literary Studies

Jason Camlot, Katherine McLeod
pp. 1-18
DOI: https://doi.org/10.1353/esc.2020.a903552
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The Afterlife of Performance

Jason Camlot, Annie Murray, Darren Wershler
pp. 19-46
DOI: https://doi.org/10.1353/esc.2020.a903545
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Archives, Intimacy, Embodiment: Encountering the Sound Subject in the Literary Archive

Julia Polyck-O'Neill
pp. 47-62
DOI: https://doi.org/10.1353/esc.2020.a903557
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"Collage With Jackhammer": James Reaney, the Art of Noises, and the Paraphonic Sound Collage

Michael O'Driscoll
pp. 63-83
DOI: https://doi.org/10.1353/esc.2020.a903556
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Listening Queerly for Queer Sonic Resonances in The Poetry Series at Sir George Williams University, 1966 to 1971

Mathieu Aubin
pp. 85-100
DOI: https://doi.org/10.1353/esc.2020.a903543
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Voice(ing) Appropriations: Sounding Found Poetry in 1960s Canada

Jason Wiens
pp. 101-121
DOI: https://doi.org/10.1353/esc.2020.a903560
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"Do you read me?": Kaie Kellough, the Words and Music Show, and a Self-Curated Series Within a Series

Klara du Plessis
pp. 123-139
DOI: https://doi.org/10.1353/esc.2020.a903546
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Modeling the Audio Edition with Mavis Gallant's 1984 Reading of "Grippes and Poche"

Kate Moffatt, Kandice Sharren, Michelle Levy
pp. 141-159
DOI: https://doi.org/10.1353/esc.2020.a903555
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Listening Queerly to Teleny and Trilby

Victoria C. Roskams
pp. 161-180
DOI: https://doi.org/10.1353/esc.2020.a903558
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Aural Memory in Madeleine Thien's Do Not Say We Have Nothing

Kelly Baron
pp. 181-195
DOI: https://doi.org/10.1353/esc.2020.a903544
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Noisy Nuisance: Chris Ireland's Aphasic Poetry

Katharina Fürholzer
pp. 197-213
DOI: https://doi.org/10.1353/esc.2020.a903551
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The Child's Stuttering Mouth and the Ruination of Language in Jordan Scott's blert and Shelley Jackson's Riddance

Daniel Martin
pp. 215-233
DOI: https://doi.org/10.1353/esc.2020.a903553
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Un-Sounding: A New Method for Processing Non-linguistic Poetry

Kristen Smith
pp. 235-257
DOI: https://doi.org/10.1353/esc.2020.a903559
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Forum on Disciplinary Listening: An Introduction

Jason Camlot, Katherine McLeod
pp. 259-262
DOI: https://doi.org/10.1353/esc.2020.a903564
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Toward a History of Literary Listening

Jason Camlot
pp. 263-271
DOI: https://doi.org/10.1353/esc.2020.a903547
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Poetics of Listening

Brandon LaBelle
pp. 273-277
DOI: https://doi.org/10.1353/esc.2020.a903562
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Distant Listening and Resonance

Tanya E. Clement
pp. 279-284
DOI: https://doi.org/10.1353/esc.2020.a903548
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Reflections on Evaluating Soundscapes and Gathering Sounds in Cairo: The Case of the #AUCdiaries Project

Kim Fox, Reem Elmaghraby
pp. 285-289
DOI: https://doi.org/10.1353/esc.2020.a903567
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"That Men Might Listen Earnestly to It": Hearing Blackness

Kristin Moriah
pp. 291-295
DOI: https://doi.org/10.1353/esc.2020.a903566
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Blind Mode/Blind Listening Techniques

Mara Mills, Andy Slater
pp. 297-302
DOI: https://doi.org/10.1353/esc.2020.a903554
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"Apprentices of Listening": Sound Studies in Educational Leadership

Nicole Brittingham Furlonge
pp. 303-306
DOI: https://doi.org/10.1353/esc.2020.a903563
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"What They Say is What They Mean": Listening to Someone's Story

Nina Sun Eidsheim, Juliette Bellocq
pp. 307-310
DOI: https://doi.org/10.1353/esc.2020.a903561
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Counterlistening

Gascia Ouzounian
pp. 311-317
DOI: https://doi.org/10.1353/esc.2020.a903549
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Reorienting Audition Through Bodily Listening in Place

Ellen Waterman
pp. 319-324
DOI: https://doi.org/10.1353/esc.2020.a903550
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Archival Listening

Katherine McLeod
pp. 325-331
DOI: https://doi.org/10.1353/esc.2020.a903565
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