In this Issue

Table of Contents

Prologue

Elizabeth R. Wright
pp. 5-6
DOI: https://doi.org/10.1353/boc.2022.a927742
restricted access

Guest Editor Introduction: On Recovery and Reparation

Nicholas R. Jones
pp. 7-17
DOI: https://doi.org/10.1353/boc.2022.a928894
restricted access

James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART I

Sharon D. Voros
pp. 19-22
DOI: https://doi.org/10.1353/boc.2022.a927743
restricted access

James A. Parr, sin par (1936–2022): Editor, Bulletin of the Comediantes 1973–98 PART II

Edward H. Friedman
pp. 23-24
DOI: https://doi.org/10.1353/boc.2022.a927744
restricted access

Contrarrelatos performativos para hablar en clase sobre la historia racial de España

Manuel Olmedo Gobante
pp. 29-35
DOI: https://doi.org/10.1353/boc.2022.a927745
restricted access

An Early Modern Audience in the Classroom: Metatheater, Religion, Race

Seth Kimmel
pp. 37-47
DOI: https://doi.org/10.1353/boc.2022.a927746
restricted access

Listening to Black Voices, or Listening to Juana Esperanza de San Alberto's Listening

Cesar D. Favila
pp. 49-53
DOI: https://doi.org/10.1353/boc.2022.a927747
restricted access

Spatial Imaginaries and Performance of the Villancico de Negro

Bernard Gordillo Brockmann
pp. 55-63
DOI: https://doi.org/10.1353/boc.2022.a927748
restricted access

Accounting for Black Insurgencies in Los empeños de una casa by Sor Juana Inés de la Cruz

Nicole Delia Legnani
pp. 65-87
DOI: https://doi.org/10.1353/boc.2022.a927749
restricted access

"¡A ver la comeria nueva / que la negla representa!": Villancicos de negros en la Bogotá virreinal

Sebastián León
pp. 89-106
DOI: https://doi.org/10.1353/boc.2022.a927750
restricted access

Afrodescendientes que hablan quechua: Risa, agencia y resistencia en dos entremeses del convento de Santa Teresa (Villa Imperial de Potosí)

Silvia Ruiz Tresgallo
pp. 107-131
DOI: https://doi.org/10.1353/boc.2022.a927751
restricted access

Whiteface versus Black Performance: Accounts of Black and Afro-descendant Performers in Portuguese America

Mariana Mayor
pp. 133-150
DOI: https://doi.org/10.1353/boc.2022.a927752
restricted access

De la invisibilidad a la especulación crítica: Un esgrimista y poeta negro en el inédito Entremés segundo del negro

Diana Berruezo-Sánchez
pp. 151-177
DOI: https://doi.org/10.1353/boc.2022.a927753
restricted access

Silencio de reyes negros: La Comedia Trofea de Torres Naharro y la cartografía de la colonización africana

Julio Vélez-Sainz
pp. 179-195
DOI: https://doi.org/10.1353/boc.2022.a927754
restricted access

"La variedad de los exemplos" and "la verdad de la estampa": Race and Exemplarity in Virtudes vencen señales

Alani Hicks-Bartlett
pp. 197-224
DOI: https://doi.org/10.1353/boc.2022.a927755
restricted access

Branding, Bondage, and Lope's Typeface

John Slater
pp. 225-247
DOI: https://doi.org/10.1353/boc.2022.a927756
restricted access

Queering El valiente negro en Flandes

Baltasar Fra-Molinero
pp. 249-276
DOI: https://doi.org/10.1353/boc.2022.a927757
restricted access

White Faces, Black Masks: The Racial Shimmer of Morisco and Sub-Saharan Slaveries in Lope de Vega's Los melindres de Belisa

Zainab Cheema
pp. 277-301
DOI: https://doi.org/10.1353/boc.2022.a927758
restricted access

The Mandinga Experience: Illusion and Proof in the Inquisition Case of Patrício de Andrade, 1690

Lexie Cook
pp. 305-329
DOI: https://doi.org/10.1353/boc.2022.a927759
restricted access

Contradicción, aculturación y celebración en El negro del serafín de Vélez de Guevara

Manuel Delgado Morales
pp. 331-350
DOI: https://doi.org/10.1353/boc.2022.a927760
restricted access

An Overview of Stylometry and Its Application to the Comedia

Jane W. Albrecht
pp. 351-372
DOI: https://doi.org/10.1353/boc.2022.a927761
restricted access

Arte y localización de un culto global Virgen de Loreto en México by Luisa Elena Alcalá Donegani (review)

María José del Río Barredo
pp. 373-376
DOI: https://doi.org/10.1353/boc.2022.a927762
restricted access

Mirando desde el puente. Estudios en homenaje al profesor James S. Amelang ed. by Fernando Andrés Robres, Mauro Hernández Benítez y Saúl Martínez Bermejo (review)

Miguel Martínez
pp. 377-381
DOI: https://doi.org/10.1353/boc.2022.a927763
restricted access

Transoceanic Animals as Spectacle in Early Modern Spain by John Beusterien (review)

Emily Kuffner
pp. 383-386
DOI: https://doi.org/10.1353/boc.2022.a927764
restricted access

El universo de una polémica. Góngora y la cultura española del siglo XVII ed. by Mercedes Blanco y Aude Plagnard (review)

Ana Garriga
pp. 387-392
DOI: https://doi.org/10.1353/boc.2022.a927765
restricted access

Épica y conflicto religioso en el siglo XVI. Anglicanismo y luteranismo desde el imaginario hispánico ed. by Javier Burguillo y María José Vega (review)

Aude Plagnard
pp. 393-398
DOI: https://doi.org/10.1353/boc.2022.a927766
restricted access

El gran teatro del mundo by Pedro Calderón de la Barca (review)

Rasmus Vangshardt
pp. 399-401
DOI: https://doi.org/10.1353/boc.2022.a927767
restricted access

To Embody the Marvelous: The Making of Illusions in Early Modern Spain by Esther Fernández (review)

Pedro Reula Baquero
pp. 403-405
DOI: https://doi.org/10.1353/boc.2022.a927768
restricted access

Faraway Settings: Spanish and Chinese Theaters of the 16th and 17th Centuries ed. by Juan Pablo Gil-Osle and Frederick A. de Armas (review)

Yun Shao
pp. 407-411
DOI: https://doi.org/10.1353/boc.2022.a927769
restricted access

The Poetics of Friendship in Early Modern Spain: A Study in Literary Form by Donald Gilbert-Santamaría (review)

Shai Zamir
pp. 413-415
DOI: https://doi.org/10.1353/boc.2022.a927770
restricted access

Ser y vivir esclavo. Identidad, aculturación y agency (Mundos mediterráneos y atlánticos, siglos XIII–XVIII) ed. by Fabienne P. Guillén y Roser Salicrú i Lluch (review)

Miguel A. Valerio
pp. 417-421
DOI: https://doi.org/10.1353/boc.2022.a927771
restricted access

Arms and Letters: Military Life Writing in Early Modern Spain by Faith S. Harden (review)

Luis F. Avilés
pp. 423-425
DOI: https://doi.org/10.1353/boc.2022.a927772
restricted access

The Arts of Encounter: Christians, Muslims, and the Power of Images in Early Modern Spain by Catherine Infante (review)

Lisette Balabarca-Fataccioli
pp. 427-430
DOI: https://doi.org/10.1353/boc.2022.a927773
restricted access

Performing Conversion: Cities, Theatre and Early Modern Transformations ed. by José R. Jouve Martín and Steven Wittek (review)

Benjamin Easton
pp. 431-435
DOI: https://doi.org/10.1353/boc.2022.a927774
restricted access

Sonido y afecto en Calderón. Un estudio de las asonancias by Simon Kroll (review)

Fausta Antonucci
pp. 437-440
DOI: https://doi.org/10.1353/boc.2022.a927775
restricted access

Conversaciones en verso. La epístola ética del Renacimiento y la construcción del yo poético by Clara Marías (review)

Gáldrick de la Torre Ávalos
pp. 441-443
DOI: https://doi.org/10.1353/boc.2022.a927776
restricted access

Comuneros. El rayo y la semilla (1520–1521) by Miguel Martínez (review)

Ruth MacKay
pp. 445-447
DOI: https://doi.org/10.1353/boc.2022.a927777
restricted access

A Companion to Calderón de la Barca ed. by Roy Norton and Jonathan Thacker (review)

Sofie Kluge
pp. 449-453
DOI: https://doi.org/10.1353/boc.2022.a927778
restricted access

Diego Velázquez, Apeles de su siglo: historia y ficción en la obra del pintor de Felipe IV by Héctor Ruiz Soto (review)

Jeremy Roe
pp. 455-457
DOI: https://doi.org/10.1353/boc.2022.a927779
restricted access

Playing and Playgoing in Early Modern England: Actor, Audience and Performance ed. by Simon Smith and Emma Whipday (review)

Jennifer Ruiz-Morgan
pp. 459-461
DOI: https://doi.org/10.1353/boc.2022.a927780
restricted access

Renaissance Fun: The Machines behind the Scenes by Philip Steadman (review)

Dale Shuger
pp. 463-465
DOI: https://doi.org/10.1353/boc.2022.a927781
restricted access

The Cambridge Companion to Shakespeare and Race ed. by Ayanna Thompson (review)

Manuel Olmedo Gobante
pp. 467-470
DOI: https://doi.org/10.1353/boc.2022.a927782
restricted access

Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1640 by Miguel A. Valerio (review)

José Ramón Jouve Martín
pp. 471-474
DOI: https://doi.org/10.1353/boc.2022.a927783
restricted access

La discreta enamorada / The Cleverest Girl in Madrid by Lope de Vega (review)

Robin Alfriend Kello
pp. 475-477
DOI: https://doi.org/10.1353/boc.2022.a927784
restricted access