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In this Issue

Table of Contents

  1. Editor’s Foreword
  2. Alexander Pettit
  3. pp. v-vii
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  1. “Saw E. O’Neill . . . Yes!”: Lynn Riggs to Barrett H. Clark, August 14, 1928
  2. James H. Cox
  3. pp. 1-4
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  1. Louis Sheaffer (1912–93): Journalist, Biographer, And Uncle
  2. Michele Slung
  3. pp. 4-7
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  1. Blackness and Belonging: Shirley Graham’s “Negro Adaptation” of The Hairy Ape
  2. Patrick Chura
  3. pp. 8-30
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  1. Finding Eugene O’Neill in Maxim Gorki’s The Lower Depths
  2. William Davies King
  3. pp. 31-60
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  1. Eugene O’Neill’s Mourning Becomes Electra: An Indigenous Give and Take
  2. Alanis King
  3. pp. 61-65
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  1. Advance, Masked
  2. Alex Roe
  3. pp. 65-70
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  1. Melodrama Becomes Electra
  2. Adrienne Earle Pender
  3. pp. 70-74
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  1. Strange Interlude
  2. Annabel Capper
  3. pp. 74-78
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  1. The View From Pompey’s Head by Hamilton Basso, and: But For Whom Charlie by S. N. Behrman (review)
  2. Dan McGovern
  3. pp. 79-86
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  1. Eugene O’Neill’s Philosophy of Difficult Theatre: Pity, Fear, and Forgiveness by Jeremy Killian (review)
  2. Brice Ezell
  3. pp. 87-91
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  1. The American Pipe Dream: Performance of Drug Addiction, 1890–1940 by Max Shulman (review)
  2. Steven F. Bloom
  3. pp. 92-96
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  1. N by Adrienne Earle Pender (review)
  2. Ronald E. Quirk
  3. pp. 97-101
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  1. Bernice by Susan Glaspell (review)
  2. Ash Marinaccio
  3. pp. 102-104
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  1. The Sea Lady by Neith Boyce (review)
  2. Christen Mandracchia
  3. pp. 105-108
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  1. A Touch of the Poet by Ciarán O’Reilly (review)
  2. James Armstrong
  3. pp. 109-112
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  1. Long Day’s Journey Into Night by Robert O’Hara (review)
  2. Catherine M. Young
  3. pp. 113-118
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