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Table of Contents

  1. Structural Failure: Thomas Wyatt’s Petrarch in Early Modern England
  2. D. K. Smith
  3. pp. 575-601
  4. DOI: https://doi.org/10.1353/elh.2022.0020
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  1. Tamburlaine, “Mexía,” and More Intertextual Source Study
  2. Michael Lind Menna
  3. pp. 603-635
  4. DOI: https://doi.org/10.1353/elh.2022.0021
  5. restricted access
  1. The Tempest, The Winter’s Tale, and Dramatic Absolutism on the Stuart Court Stage
  2. Gabriel Lonsberry
  3. pp. 637-659
  4. DOI: https://doi.org/10.1353/elh.2022.0022
  5. restricted access
  1. Who Wrote The Female American?: The Noble Brothers, Circulating Libraries, and the Eighteenth-Century Novel
  2. Rochelle Raineri Zuck
  3. pp. 661-688
  4. DOI: https://doi.org/10.1353/elh.2022.0023
  5. restricted access
  1. Race, Vitalism, and the Contingency of Contagion in Mary Shelley’s The Last Man
  2. Diana Rose Newby
  3. pp. 689-718
  4. DOI: https://doi.org/10.1353/elh.2022.0024
  5. restricted access
  1. Reading The Detail In John Ruskin’s Gothic Aesthetics
  2. Pritika Pradhan
  3. pp. 719-756
  4. DOI: https://doi.org/10.1353/elh.2022.0025
  5. restricted access
  1. Comic Interpreting in African Literatures
  2. Adwoa A. Opoku-Agyemang
  3. pp. 757-779
  4. DOI: https://doi.org/10.1353/elh.2022.0026
  5. restricted access
  1. Piltdown, Realism, And Public Trust In 1950s England
  2. Marina Mackay
  3. pp. 781-805
  4. DOI: https://doi.org/10.1353/elh.2022.0027
  5. restricted access
  1. The Stoic Comedy of Elizabeth Bishop and Buster Keaton
  2. George Potts
  3. pp. 807-832
  4. DOI: https://doi.org/10.1353/elh.2022.0028
  5. restricted access
  1. Are Models Narratives? Perspectives on a Narrative Critique of Models
  2. Klaus Stierstorfer
  3. pp. 833-863
  4. DOI: https://doi.org/10.1353/elh.2022.0029
  5. restricted access