Project MUSE - Notes-Volume 79, Number 2, December 2022

Music Scholars and Open Access Publishing

Rachel E. Scott, Anne Shelley

pp. 149-178

DOI: https://doi.org/10.1353/not.2022.0093

Discos Fuentes According to Foucault: An Archive Problem

Juan Diego Parra Valencia, Juan Francisco Sans

pp. 179-202

DOI: https://doi.org/10.1353/not.2022.0094

Prices of Music Monographs as Reflected in Notes, 2015–2021

Elizabeth Berndt

pp. 203-205

DOI: https://doi.org/10.1353/not.2022.0095

Notes for Notes

Matthew Testa, James P. Cassaro, David R. Lewis, Samuel Judson Crawford, Rebecca Belford, Janet McKinney

pp. 206-210

DOI: https://doi.org/10.1353/not.2022.0092

The Segovia Manuscript: A European Musical Repertory in Spain, c. 1500 ed. by Wolfgang Fuhrmann and Cristina Urchueguía (review)

Manuel Erviti, Rachel Carpentier

pp. 211-214

DOI: https://doi.org/10.1353/not.2022.0096

Danielis Sartorii Musicalia Wratislaviensia by Tomasz Jeż (review)

Tomasz Górny

pp. 214-217

DOI: https://doi.org/10.1353/not.2022.0097

The Golden Age of American Bands: A Document History (1835–1935) by Bryan Proksch (review)

Kenneth Kreitner

pp. 217-218

DOI: https://doi.org/10.1353/not.2022.0098

Finding Music: Writings = Schriften, 1961–2018 by Tom Johnson (review)

Twila Bakker

pp. 219-221

DOI: https://doi.org/10.1353/not.2022.0099

The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera (review)

Paul G. Feller-Simmons

pp. 222-224

DOI: https://doi.org/10.1353/not.2022.0100

Musical Journeys: Performing Migration in Twentieth-Century Music by Florian Scheding (review)

Tristan Paré-Morin

pp. 225-227

DOI: https://doi.org/10.1353/not.2022.0101

Beyoncé: At Work, on Screen, and Online ed. by Martin Iddon and Melanie L. Marshall (review)

Elizabeth Whittenburg Ozment

pp. 228-230

DOI: https://doi.org/10.1353/not.2022.0102

Chen Yi by Leta E. Miller and J. Michele Edwards (review)

Peng Liu

pp. 230-233

DOI: https://doi.org/10.1353/not.2022.0103

Becoming Clara Schumann: Performance Strategies and Aesthetics in the Culture of the Musical Canon by Alexander Stefaniak (review)

April L. Prince

pp. 233-236

DOI: https://doi.org/10.1353/not.2022.0104

Unbinding Gentility: Women Making Music in the Nineteenth-Century South by Candace Bailey (review)

Michele Aichele

pp. 236-239

DOI: https://doi.org/10.1353/not.2022.0105

Nikolay Myaskovsky: A Composer and His Times by Patrick Zuk (review)

Albrecht Gaub

pp. 239-242

DOI: https://doi.org/10.1353/not.2022.0106

The Red Book of Anton Bruckner: Eleven Symphonies; A Guide to the Versions by William Carragan (review)

David Chapman

pp. 242-244

DOI: https://doi.org/10.1353/not.2022.0107

Jean Sibelius: Life, Music, Silence by Daniel M. Grimley (review)

Carl Rahkonen

pp. 245-247

DOI: https://doi.org/10.1353/not.2022.0108

Organ-Building in Georgian and Victorian England: The Work of Gray & Davison, 1772–1890 by Nicholas Thistlethwaite (review)

Karrin Ford

pp. 247-250

DOI: https://doi.org/10.1353/not.2022.0109

Bach and the Counterpoint of Religion ed. by Robin A. Leaver (review)

Chiara Bertoglio

pp. 250-252

DOI: https://doi.org/10.1353/not.2022.0110

Johnny Cash at Folsom Prison: The Making of a Masterpiece by Michael Streissguth (review)

Shelley L. Rogers

pp. 252-255

DOI: https://doi.org/10.1353/not.2022.0111

Rez Metal: Inside the Navajo Nation Heavy Metal Scene by Ashkan Soltani Stone and Natale A. Zappia (review)

Robert Freeborn

pp. 255-256

DOI: https://doi.org/10.1353/not.2022.0086

Books Recently Published

pp. 257-264

DOI: https://doi.org/10.1353/not.2022.0087

Mélodies de jeunesse: The Early Songs, 1892–1901 by Jean Cras (review)

Wanda Brister

pp. 265-269

DOI: https://doi.org/10.1353/not.2022.0088

Second piano sonata, opus 82: “Being and non-being create each other.” by Horațiu Rădulescu, and: Third piano sonata, opus 86: “You will endure forever.” by Horațiu Rădulescu, and: Fourth piano sonata, opus 92: “Like a well . . . older than God.” by Horațiu Rădulescu, and: Fifth piano sonata, opus 106: “Settle your dust, this is the primal identity.” by Horațiu Rădulescu, and: Sixth piano sonata, opus 110: “Return to the source of light.” by Horațiu Rădulescu (review)

Tristan McKay

pp. 269-273

DOI: https://doi.org/10.1353/not.2022.0089

Organization and Scope Notes

pp. 274-278

DOI: https://doi.org/10.1353/not.2022.0090

Communications

Daniel Zager

p. 279

DOI: https://doi.org/10.1353/not.2022.0091

ISSN	1534-150X
Print ISSN	0027-4380
Launched on MUSE	2022-11-24
Open Access	No

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