In this Issue

Table of Contents

Preface: Erna Brodber's Social Ethics of Black Memory

David Scott
pp. vii-x
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Dancing in an Enclosure: Activism and Mourning in the Puerto Rican Summer of 2019

Arnaldo M. Cruz-Malavé
pp. 1-23
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Life, Labor, and a Coolie Picturesque in Jamaica

Jenny Sharpe
pp. 24-45
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Transformista, Travesti, Transgénero: Performing Sexual Subjectivity in Cuba

M. Myrta Leslie Santana
pp. 46-59
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At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti

Peter L. Haffner
pp. 60-78
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Keywords in Caribbean Studies: A Project Statement

Vanessa Pérez-Rosario, Ryan Cecil Jobson
pp. 80-84
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What Happens to Black in the Afro-Surinamese Transatlantic Diaspora?

Gloria Wekker
pp. 85-92
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Transnational Renderings of Negro/a/x/*: Re-centering Blackness in AfroLatinidad

Omaris Z. Zamora
pp. 93-99
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Nègre (Noir, Black, Renoi, Négro)

Grégory Pierrot
pp. 100-107
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To Be Black Is to … : The Production of Blackness in and beyond Trinidad

Leniqueca A. Welcome
pp. 108-118
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Everything Slackens in a Wreck

Andil Gosine
pp. 119-143
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Sensorial Errancy in Decolonial Key

Rocío Zambrana
pp. 144-153
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When Tía Ate the Telegram: Defiance, Solidarity, and Multipoetic Sensorial Listening

Petra R. Rivera-Rideau
pp. 154-162
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Modern Dermabrasions: Black/Brown after Ren Ellis Neyra's The Cry of the Senses

Ronald Mendoza–de Jesús
pp. 163-175
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White Mythologies

Ren Ellis Neyra
pp. 176-193
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Contributors

pp. 194-196
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