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In this Issue

Table of Contents

  1. Editor's Introduction
  2. Katsuya Hirano
  3. pp. 645-652
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  1. The Promise of (Un)happiness: 34 Literature and Yi Si-u's Surrealist Poetics in Colonial Korea
  2. Kevin Michael Smith
  3. pp. 653-678
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  1. Japanese New Left's Political Theories of Subjectivity and Ōshima Nagisa's Practice of Cinema
  2. Ferran de Vargas
  3. pp. 679-703
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  1. Between Plastic Surgery and the Photographic Representation: Ji Yeo Undoes the Elusive Narrative of Transformation
  2. So-Rim Lee
  3. pp. 705-733
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  1. You Forbid Me to Walk: Yokota Hiroshi's Disability Poetics
  2. Andrew Campana
  3. pp. 735-762
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  1. The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise
  2. Olga Fedorenko
  3. pp. 763-792
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  1. Native Soil of Postmemory and Affective Archives in Wu Ming-Yi's The Stolen Bicycle
  2. Chialan Sharon Wang
  3. pp. 793-814
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  1. Familiar Strangers: North Koreans as "Dangerous Refugees" and the Crisis of Korean Chinese Community in Zhang Lu's Dooman River (2010)
  2. Eun Ah Cho
  3. pp. 815-838
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  1. Archipelagic Optics in Wu Ming-Yi's The Man with the Compound Eyes
  2. Yi-Ting Chang
  3. pp. 839-864
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  1. Semantics of Tea Drinking: Online Writing and the Shaping of Counter-public Spheres in Xi Jinping's China
  2. Lorenzo Andolfatto
  3. pp. 865-893
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  1. Shanzhai: Creative Imitation of China in Highland Myanmar
  2. Hans Steinmüller
  3. pp. 895-921
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  1. Contributors
  2. pp. 923-925
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