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Table of Contents

  1. Viable Texts or Reliable Texts? The Earliest Editions of Pleyel's String Quintets
  2. Allan Badley
  3. pp. 68-81
  4. DOI: https://doi.org/10.1353/fam.2022.0007
  5. restricted access
  1. 'To Better Perform My Duties as a Dame Patronesse': Pauline Viardot-García's Philanthropic Work
  2. Virginia Sánchez Rodríguez
  3. pp. 82-100
  4. DOI: https://doi.org/10.1353/fam.2022.0008
  5. restricted access
  1. Ethnic Piano Rolls in the United States: Between Folk, Foreign and National Music
  2. Darius Kučinskas
  3. pp. 101-115
  4. DOI: https://doi.org/10.1353/fam.2022.0009
  5. restricted access
  1. A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library's Music Department (Pécs, Hungary)
  2. Csilla Kovácsné Sorossy
  3. pp. 116-138
  4. DOI: https://doi.org/10.1353/fam.2022.0010
  5. restricted access
  1. Briefs/Feuilletons
  2. Kristina Krämer, James P. Cassaro, Stephanie Merakos
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/fam.2022.0011
  5. restricted access
  1. Nourmahal's Song: An Unknown Coleridge-Taylor Work
  2. Jonathan Frank
  3. pp. 142-156
  4. DOI: https://doi.org/10.1353/fam.2022.0012
  5. restricted access
  1. L'œuvre de Frédéric Chopin. Manuscrits–Partitions annotées–Bibliographies by Bertrand Jaeger (review)
  2. Christophe Grabowski
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/fam.2022.0013
  5. restricted access
  1. Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism by Charlotte Segond-Genovesi (review)
  2. Nigel Simeone
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/fam.2022.0014
  5. restricted access