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Table of Contents

  1. Dark Academe
  2. Jeffrey R. Di Leo
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/abr.2022.0035
  5. restricted access
  1. Introduction: Autofiction, Autotheory, and Regimes of Visibility
  2. Laura Cernat
  3. pp. 9-17
  4. DOI: https://doi.org/10.1353/abr.2022.0036
  5. restricted access
  1. Autofiction across Borders: Anglo-Metamorphoses of a French Concept
  2. Karen Ferreira-Meyers
  3. pp. 18-22
  4. DOI: https://doi.org/10.1353/abr.2022.0037
  5. restricted access
  1. “Certain people were born with the internet inside them and suffered greatly from it”: Autofiction at the Intersection of Self, Sociality, and Mediation
  2. Anna Poletti
  3. pp. 23-27
  4. DOI: https://doi.org/10.1353/abr.2022.0038
  5. restricted access
  1. Refugee Writing and the Right to Autofiction
  2. Tom Toremans
  3. pp. 28-31
  4. DOI: https://doi.org/10.1353/abr.2022.0039
  5. restricted access
  1. Reading Autofiction: The Cognitive Turn
  2. Alison Gibbons
  3. pp. 32-36
  4. DOI: https://doi.org/10.1353/abr.2022.0040
  5. restricted access
  1. Against Autofiction: The French Resistance to Autofiction from Gérard Genette to Julia Kristeva
  2. Anneleen Masschelein
  3. pp. 37-41
  4. DOI: https://doi.org/10.1353/abr.2022.0041
  5. restricted access
  1. Ben Lerner’s Autofictional Politics of Form
  2. Ioannis Tsitsovits
  3. pp. 42-46
  4. DOI: https://doi.org/10.1353/abr.2022.0042
  5. restricted access
  1. “That Listening Mien”: Queer and Psychoanalytic Intersubjectivity in Sedgwick’s Autotheory
  2. Yael Segalovitz
  3. pp. 47-52
  4. DOI: https://doi.org/10.1353/abr.2022.0043
  5. restricted access
  1. Queer Intelligibility and Autotheory
  2. Rachel Lallouz
  3. pp. 53-56
  4. DOI: https://doi.org/10.1353/abr.2022.0044
  5. restricted access
  1. “Wake Work”: Thinking as Care in the Black Autotheoretical Writings of Christina Sharpe
  2. Lauren Gabrielle Fournier
  3. pp. 57-62
  4. DOI: https://doi.org/10.1353/abr.2022.0045
  5. restricted access
  1. Autofiction, Autotheory, and the Neoliberal Contemporary
  2. Marc Farrant
  3. pp. 63-67
  4. DOI: https://doi.org/10.1353/abr.2022.0046
  5. restricted access
  1. A Modest Proposal on Faculty Governance
  2. Paul Allen Miller
  3. pp. 68-72
  4. DOI: https://doi.org/10.1353/abr.2022.0047
  5. restricted access
  1. Proustian Uncertainties: On Reading and Rereading In Search of Lost Time by Saul Friedländer (review)
  2. Daniel T. O’Hara
  3. pp. 73-76
  4. DOI: https://doi.org/10.1353/abr.2022.0048
  5. restricted access
  1. k-punk: The Collected and Unpublished Writings of Mark Fisher (2004–2016) by Mark Fisher (review)
  2. Devin Thomas O’Shea
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/abr.2022.0049
  5. restricted access
  1. Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith (review)
  2. Andrew S. Taylor
  3. pp. 79-84
  4. DOI: https://doi.org/10.1353/abr.2022.0050
  5. restricted access
  1. An Interview with Reyna Grande
  2. Frederick Luis Aldama
  3. pp. 85-90
  4. DOI: https://doi.org/10.1353/abr.2022.0051
  5. restricted access
  1. On the Campaign Trail by J. Bradley, and: Ten New Fairy Tales by Robert Kelly, and: Wake in the Night by Laura Krughoff (review)
  2. Jane Rosenberg LaForge
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/abr.2022.0052
  5. restricted access
  1. Flowers of Mold by Ha Seong-nan (review)
  2. Rebecca Cuthbert
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/abr.2022.0053
  5. restricted access
  1. Tight Little Vocal Cords by Loie Rawding (review)
  2. Erin H. Davis
  3. pp. 96-99
  4. DOI: https://doi.org/10.1353/abr.2022.0054
  5. restricted access
  1. Oslo, Maine: A Novel by Marcia Butler (review)
  2. Edward M. Bury
  3. pp. 99-102
  4. DOI: https://doi.org/10.1353/abr.2022.0055
  5. restricted access
  1. House of the Ancients and Other Stories by Clifford Garstang (review)
  2. Voyo Gabrilo
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/abr.2022.0056
  5. restricted access
  1. Sisterhood of the Infamous by Jane Rosenberg LaForge (review)
  2. Diane Goodman
  3. pp. 106-110
  4. DOI: https://doi.org/10.1353/abr.2022.0057
  5. restricted access
  1. The Trouble with Language by Rebecca Fishow (review)
  2. Erin H. Davis
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/abr.2022.0058
  5. restricted access
  1. The Doll’s Alphabet by Camilla Grudova (review)
  2. Kolby Harvey
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/abr.2022.0059
  5. restricted access
  1. What’s on the Menu? by Chase Griffin (review)
  2. Daniel Gonzalez
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/abr.2022.0060
  5. restricted access
  1. The Volunteer Negro
  2. E. Ethelbert Miller
  3. pp. 120-123
  4. DOI: https://doi.org/10.1353/abr.2022.0061
  5. restricted access
  1. Selling the Farm: Descants from a Recollected Past by Debra Di Blasi (review)
  2. Erin H. Davis
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/abr.2022.0062
  5. restricted access
  1. Dear DeeDee by Kat Meads (review)
  2. Loie Rawding
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/abr.2022.0063
  5. restricted access
  1. Contestable Truths, Incontestable Lies by Steven Sher (review)
  2. Richard Jeffrey Newman
  3. pp. 131-135
  4. DOI: https://doi.org/10.1353/abr.2022.0064
  5. restricted access
  1. A Map of the Heavens: Selected Poems, 1975–2017 by Janet Hamill (review)
  2. Jane Rosenberg LaForge
  3. pp. 135-139
  4. DOI: https://doi.org/10.1353/abr.2022.0065
  5. restricted access
  1. In the Margins/Al margen by Robert Kramer (review)
  2. Marta López-Luaces
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/abr.2022.0066
  5. restricted access
  1. Dead Shark on the N Train by Susana H. Case (review)
  2. Margot Farrington
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/abr.2022.0067
  5. restricted access
  1. Tricks of Light: New and Selected Poems by Thaddeus Rutkowski (review)
  2. Amy Holman
  3. pp. 146-149
  4. DOI: https://doi.org/10.1353/abr.2022.0068
  5. restricted access
  1. Turn It Up! Music in Poetry from Jazz to Hip-Hop ed. by Stephen Cramer (review)
  2. Eric Plaks
  3. pp. 150-154
  4. DOI: https://doi.org/10.1353/abr.2022.0069
  5. restricted access
  1. Derrida’s In/Voice by Chris Tysh (review)
  2. Evan Reynolds
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/abr.2022.0070
  5. restricted access
  1. A Plan in Case of Morning by Phill Provance (review)
  2. Josh Williams
  3. pp. 157-160
  4. DOI: https://doi.org/10.1353/abr.2022.0071
  5. restricted access
  1. Un- by Laurel Blossom (review)
  2. Fred Muratori
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/abr.2022.0072
  5. restricted access
  1. Collaborations by Greg Masters et al (review)
  2. Sparrow
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/abr.2022.0073
  5. restricted access
  1. Sleeping with the Light On by David Unger (review)
  2. Ludy Rueda
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/abr.2022.0074
  5. restricted access
  1. An Interview with David Wilk
  2. Charles Alexander
  3. pp. 171-177
  4. DOI: https://doi.org/10.1353/abr.2022.0075
  5. restricted access
  1. An Interview with Ken Edwards and Brian Marley of Grand Iota
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/abr.2022.0076
  5. restricted access
  1. Why Poetics, Then?
  2. Daniel T. O’Hara
  3. pp. 182-186
  4. DOI: https://doi.org/10.1353/abr.2022.0077
  5. restricted access
  1. The All-Too-Human Departure of Jean-Luc Nancy
  2. Irving Goh
  3. pp. 187-191
  4. DOI: https://doi.org/10.1353/abr.2022.0078
  5. restricted access