In this Issue

Table of Contents

Introduction

The Editors
pp. 1-2
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A Tale of Two Indies: Amazon Studios and A24 in the Streaming Age

Ryan David Briggs
pp. 3-16
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Residual Fandom: Television Technologies, Industries, and Fans of Survivor

Cameron Lynn Brown
pp. 17-27
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Fast Forwarding The Past (On Pause): Daniel Lopatin’s Memory Vague and the Hauntological Aesthetic of Vaporwave

Jordon J. Jacobson
pp. 28-37
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Streaming’s Skip Intro Function as a Contradictory Refuge for Television Title Sequences

Max Dosser
pp. 38-50
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Keeping Up With The Kings

Lynn Kozak
pp. 51-60
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Distribution in the Streaming Era: A Scholarly Roundtable

The Editors
pp. 61-74
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Refocus: The Films of Albert Brooks ed. by Christian B. Long (review)

Samantha Janes
pp. 75-77
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Film Phenomenology and Adaptation: Sensuous Elaboration by David Evan Richard (review)

Erica Moulton
pp. 78-80
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Dreams of Flight: The Great Escape in American Film and Culture by Dana Polan (review)

Josh Martin
pp. 81-83
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Re-Animator by Eddie Falvey (review)

Lance St. Laurent
pp. 84-86
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Whitewashing the Movies: Asian Erasure and White Subjectivity in US Film Culture by David C. Oh (review)

Joseph Shin
pp. 87-89
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