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In this Issue

Table of Contents

  1. Introduction
  2. Ross W. Duffin
  3. pp. 143-155
  4. DOI: https://doi.org/10.1353/bach.2022.0010
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  1. The Notes Tell Us How to Tune
  2. Bradley Lehman
  3. pp. 156-193
  4. DOI: https://doi.org/10.1353/bach.2022.0011
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  1. The Harpsichord Meets the First Fret (and Other Tuning Practicalities)
  2. Jonathan Salzedo, Roy Whelden, David Wilson
  3. pp. 194-223
  4. DOI: https://doi.org/10.1353/bach.2022.0012
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  1. Stay Tuned: Temperament for Solo Lute 1600–1750
  2. David Dolata
  3. pp. 224-259
  4. DOI: https://doi.org/10.1353/bach.2022.0013
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  1. J. S. Bach, the Viola da Gamba, and Temperament in the Early Eighteenth Century
  2. Loren Ludwig
  3. pp. 260-300
  4. DOI: https://doi.org/10.1353/bach.2022.0014
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  1. Reconsidering Tonal Procedures in J. S. Bach's First Year in Leipzig: Some Implications from the Wind-Player's Perspective
  2. Geoffrey Burgess
  3. pp. 301-326
  4. DOI: https://doi.org/10.1353/bach.2022.0015
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  1. Intonation for Cello in the Music of J. S. Bach
  2. Jaap Ter Linden
  3. pp. 327-335
  4. DOI: https://doi.org/10.1353/bach.2022.0016
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  1. Temperament, or De vita cum imperfectis
  2. Kenneth Slowik
  3. pp. 336-354
  4. DOI: https://doi.org/10.1353/bach.2022.0017
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  1. Bach's Legacy: The Music as Heard by Later Masters by Russell Stinson (review)
  2. Erinn E. Knyt
  3. pp. 355-360
  4. DOI: https://doi.org/10.1353/bach.2022.0018
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  1. Bach—Eine Bildbiografie/Pictorial Biography by Michael Maul (review)
  2. Zoltán Szabó
  3. pp. 361-364
  4. DOI: https://doi.org/10.1353/bach.2022.0019
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  1. Baroque Music in Post-War Cinema by Donald Greig (review)
  2. Rebecca Fülöp
  3. pp. 365-371
  4. DOI: https://doi.org/10.1353/bach.2022.0020
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  1. John Gunn: Musician Scholar in Enlightenment Britain by George Kennaway (review)
  2. Elizabeth Ford
  3. pp. 372-375
  4. DOI: https://doi.org/10.1353/bach.2022.0021
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  1. Contributors to this volume
  2. pp. 376-379
  3. DOI: https://doi.org/10.1353/bach.2022.0022
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