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In this Issue

Table of Contents

  1. Sex, Race, and Wyatt Earp: Or, How I Learned To Stop Worrying About My Darling Clementine and Love Chihuahua
  2. Peter Yacavone
  3. pp. 4-17
  4. DOI: https://doi.org/10.1353/flm.2022.0009
  5. restricted access
  1. Joan of Arc’s Gunpowder Artillery: in Cecil B. DeMille’s Joan the Woman (1916)
  2. Scott Manning
  3. pp. 18-31
  4. DOI: https://doi.org/10.1353/flm.2022.0010
  5. restricted access
  1. Undefeated: John Wayne’s Confederate-Yankee Adventure in Mexico and the Rise of Populist-Conservatism, 1860s/1960s
  2. Marco A. Macias, Daniel Robert McClure
  3. pp. 32-46
  4. DOI: https://doi.org/10.1353/flm.2022.0011
  5. restricted access
  1. White Masculinity in Crisis in Hollywood’s fin de Millennium Cinema by Pete Deakin (review)
  2. Paul Cohen
  3. pp. 47-48
  4. DOI: https://doi.org/10.1353/flm.2022.0012
  5. restricted access
  1. See! Hear! Cut! Kill! Experiencing Friday the 13th by Wickham Clayton (review)
  2. Khara Lukancic
  3. pp. 49-51
  4. DOI: https://doi.org/10.1353/flm.2022.0013
  5. restricted access
  1. Monstrous Forms: Moving Image Horror Across Media by Adam Charles Hart (review)
  2. Charlotte Devon Scurlock
  3. pp. 52-53
  4. DOI: https://doi.org/10.1353/flm.2022.0000
  5. restricted access
  1. Liberating Hollywood: Women Directors & the Feminist Reform of 1970s American Cinema by Montañez Maya Smuckler (review)
  2. Alicia Kozma
  3. pp. 54-55
  4. DOI: https://doi.org/10.1353/flm.2022.0001
  5. restricted access
  1. Cinema ’62: The Greatest Year at the Movies by Stephen Farber and Michael McClellan (review)
  2. Douglas Long
  3. pp. 56-58
  4. DOI: https://doi.org/10.1353/flm.2022.0002
  5. restricted access
  1. Aesthetics and the Cinematic Narrative by Michael Peter Bolus (review)
  2. Mary Heath
  3. pp. 59-60
  4. DOI: https://doi.org/10.1353/flm.2022.0003
  5. restricted access
  1. Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna ed. by Noah Isenberg (review)
  2. Scott Weiss
  3. pp. 61-63
  4. DOI: https://doi.org/10.1353/flm.2022.0004
  5. restricted access
  1. Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes (review)
  2. Lyuwenyu Zhang
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/flm.2022.0005
  5. restricted access
  1. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend by Christina Rice (review)
  2. Kevin Brianton
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/flm.2022.0006
  5. restricted access
  1. Ray Bolger: More Than a Scarecrow by Holly Van Leuven (review)
  2. Bernard F. Dick
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/flm.2022.0007
  5. restricted access
  1. Algo Mío. Argentina’s Stolen Children (review)
  2. Cristian Alvarado Leyton
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/flm.2022.0008
  5. restricted access