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In this Issue

Table of Contents

  1. A Note from the Editor
  2. John Fletcher
  3. pp. vii-ix
  4. DOI: https://doi.org/10.1353/tt.2022.0013
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  1. Keeping the Fun in Staying with the Trouble: Green Suits and Environmental Activist Pleasure
  2. Beth Osnes, Sarah Fahmy
  3. pp. 49-60
  4. DOI: https://doi.org/10.1353/tt.2022.0014
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  1. Dramatizing Displacement in Israel
  2. Chen Alon, Sonja Kuftinec
  3. pp. 61-72
  4. DOI: https://doi.org/10.1353/tt.2022.0015
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  1. The Blended Audition: An Open Invitation to All Students
  2. Deborah Kronenberg, Libby Ricardo
  3. pp. 73-82
  4. DOI: https://doi.org/10.1353/tt.2022.0016
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  1. Cross-platform Play: A Hybrid Pedagogy for Devised College Theatre
  2. Matt O'Hare
  3. pp. 83-95
  4. DOI: https://doi.org/10.1353/tt.2022.0017
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  1. ". . . imagine! . . . what position she was in! . . .": Revealing the Female Form in Samuel Beckett's Not I
  2. Zan Cammack
  3. pp. 97-107
  4. DOI: https://doi.org/10.1353/tt.2022.0018
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  1. Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training by Andrea Caban, Julie Foh, and Jeffrey Parker (review)
  2. Michael J. Barnes
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/tt.2022.0019
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  1. Western Theatre in Global Contexts: Directing and Teaching Culturally Inclusive Drama Around the World ed. by Jillian Campana and Yasmine Marie Jahanmir (review)
  2. Peter Zazzali
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/tt.2022.0020
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  1. Women in Performance: Repurposing Failure by Sarah Gorman (review)
  2. Erin Rachel Kaplan
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/tt.2022.0021
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  1. Playing Real: Mimesis, Media, and Mischief by Lindsay Brandon Hunter (review)
  2. E. B. Hunter
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/tt.2022.0022
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  1. Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States by Katelyn Hale Wood (review)
  2. Khalid Y. Long
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/tt.2022.0023
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