1. Editorial Changes
  2. Jennifer Yusin
  3. pp. 1-2
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  1. Showing Seeing: The Study of Faces and Portrait Photographs in Virginia Woolf’s Early Novels
  2. Marit Grøtta
  3. pp. 3-20
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  1. Things that Cling: Marine Attachments in Eliot
  2. Rachel Murray
  3. pp. 21-38
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  1. Faith and Fabrication in To the Lighthouse: Virginia Woolf’s Table-Cloth(s)
  2. Emma Felin
  3. pp. 39-52
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  1. The Image Responds: Photographic Aura in Aleksandr Ivanov’s “Stereoscope”
  2. Olga Zolotareva
  3. pp. 53-71
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  1. Art or Shit: Value, Sincerity, and the Avant-garde in David Foster Wallace
  2. Matt Prout
  3. pp. 72-89
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  1. Faulkner’s Charismatic Megaflora: Critical Plant Studies and the US South
  2. Zackary Vernon
  3. pp. 90-105
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  1. Agentic Things and Traumatized People in Toni Morrison’s The Bluest Eye
  2. Quan Zhou, Qiping Liu
  3. pp. 106-120
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  1. Sheaths, Molds, and Shards: The Formation of an Anthropological Aesthetics in Willa Cather’s The Song of the Lark
  2. Aaron McCullough
  3. pp. 121-139
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  1. “Fragments of cloth, bits of cotton, lumps of earth”: Object-Oriented Lists in Let Us Now Praise Famous Men
  2. Alyson Brickey
  3. pp. 140-154
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  1. W.G. Sebald’s Paper Universe: Austerlitz and the Poetics of Media Obsolescence
  2. James Draney
  3. pp. 155-172
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  1. Becoming Bewildered
  2. Zachary Kinsella
  3. pp. 173-179
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  1. Modernist Women’s Writing and the Gift of Literature
  2. Tim Clarke
  3. pp. 180-183
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  1. From Waste Lands to Farmhands: T.S. Eliot and the Organic Husbandry Movement
  2. Karina Jakubowicz
  3. pp. 184-188
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  1. The Evanescence of Lyric: A Review of John Wilkinson’s Lyric in Its Times: Temporalities in Verse, Breath, and Stone
  2. Jeffrey Careyva
  3. pp. 189-193
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