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Table of Contents

  1. Federico García Lorca, entre la realidad y la representación
  2. Carmen Moreno-Nuño
  3. pp. 3-14
  4. DOI: https://doi.org/10.1353/rmc.2022.0008
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  1. La novia de Paula Ortiz: todo lo que es el universo lorquiano
  2. Patricia A. Fitzpatrick
  3. pp. 15-29
  4. DOI: https://doi.org/10.1353/rmc.2022.0009
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  1. Julián lópez’s Una muchacha muy bella: breaking the Autofictional Pact and re-configuring remembering
  2. Michelle E. McGowan
  3. pp. 31-41
  4. DOI: https://doi.org/10.1353/rmc.2022.0010
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  1. Stereotipi dietro gli antroponimi femminili nell’italiano
  2. Deja Piletic
  3. pp. 43-56
  4. DOI: https://doi.org/10.1353/rmc.2022.0011
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  1. Narrar el deseo femenino: imágenes sensoriales en La niña santa, de Lucrecia Martel
  2. Eun-Kyung Choi
  3. pp. 57-69
  4. DOI: https://doi.org/10.1353/rmc.2022.0012
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  1. Productive Citationality and Gendered renegotiations in the Rime of Francesco Petrarca and Gaspara Stampa
  2. Alani Hicks-Bartlett
  3. pp. 71-83
  4. DOI: https://doi.org/10.1353/rmc.2022.0013
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  1. Valle-Inclán dentro de la heteroglosia humorística peninsular
  2. Laura Lesta García
  3. pp. 85-96
  4. DOI: https://doi.org/10.1353/rmc.2022.0014
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  1. Place Memory, Transgression, and Queer Desire in Zoé Valdés’ Querido Primer Novio
  2. Joshua R. Deckman
  3. pp. 97-108
  4. DOI: https://doi.org/10.1353/rmc.2022.0015
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  1. The Olson Affair: Charles Olson, Heriberto Yépez, and Poetry in Translation
  2. Shannon Dowd
  3. pp. 109-120
  4. DOI: https://doi.org/10.1353/rmc.2022.0000
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  1. El Cid Campeador between Luzán and Lorca: Recovering a Nineteenth-Century Pop-Culture Favorite
  2. Alexander McNair
  3. pp. 121-131
  4. DOI: https://doi.org/10.1353/rmc.2022.0001
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  1. “Buoni chirurghi dalle mani veggenti”: l’occulto e il primitivo nel tattilismo marinettiano
  2. Daria Bozzato
  3. pp. 133-142
  4. DOI: https://doi.org/10.1353/rmc.2022.0002
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  1. Manicomios Imaginarios/Infiernos Reales: W.J.T. Mitchell Y Maruja en el Infierno
  2. Gustavo Faverón Patriau
  3. pp. 143-152
  4. DOI: https://doi.org/10.1353/rmc.2022.0003
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  1. Subversive Representations in Tirso’s Amazonas en las Indias
  2. Glenda Y. Nieto-Cuebas
  3. pp. 153-164
  4. DOI: https://doi.org/10.1353/rmc.2022.0004
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  1. Un Obrero Deseado Por el Campo Cultural. Sobre La Tensión De Clase en Juan Marsé
  2. Ángela Martínez Fernández
  3. pp. 165-176
  4. DOI: https://doi.org/10.1353/rmc.2022.0005
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  1. Les langues étrangères dans les contes et nouvelles de Maupassant
  2. Gerald Prince
  3. pp. 177-184
  4. DOI: https://doi.org/10.1353/rmc.2022.0006
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  1. O amor em chamas: o amor e a sociedade em Guardar o Fogo (2013) de Joaquim Pessoa
  2. Robert Simon
  3. pp. 185-196
  4. DOI: https://doi.org/10.1353/rmc.2022.0007
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