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In this Issue

Table of Contents

  1. Users' Guide: A Word from the Editor
  2. Pearl A. McHaney
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/ewr.2022.0000
  5. restricted access
  1. Frank Lyell: Eudora Welty's Bachelor of the Arts
  2. Hunter McKelva Cole
  3. pp. 5-20
  4. DOI: https://doi.org/10.1353/ewr.2022.0001
  5. restricted access
  1. "An is different from my is": The Lost Mother and the Subjectivity of the Motherless Child in William Faulkner's As I Lay Dying and Eudora Welty's Delta Wedding
  2. Judy Butterfield
  3. pp. 25-41
  4. DOI: https://doi.org/10.1353/ewr.2022.0002
  5. restricted access
  1. Welty's Digital Future: Some New Directions
  2. Michael Pickard
  3. pp. 43-68
  4. DOI: https://doi.org/10.1353/ewr.2022.0003
  5. free access
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  1. Introductory Remarks for the Inaugural Eudora Welty Lecture: Washington National Cathedral, October 20, 2016
  2. Natasha Trethewey
  3. pp. 69-72
  4. DOI: https://doi.org/10.1353/ewr.2022.0004
  5. restricted access
  1. Eudora Welty, William Faulkner, and Me: An Interview with John Maxwell
  2. Pearl A. McHaney
  3. pp. 73-85
  4. DOI: https://doi.org/10.1353/ewr.2022.0005
  5. restricted access
  1. Adapting Eudora Welty's "Moon Lake": An Interview with Brenda Currin
  2. Laura Wilson
  3. pp. 87-99
  4. DOI: https://doi.org/10.1353/ewr.2022.0006
  5. restricted access
  1. Eudora Welty at Camp Nakanawa
  2. Elizabeth Bracken
  3. pp. 101-105
  4. DOI: https://doi.org/10.1353/ewr.2022.0007
  5. free access
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  1. The Eudora Welty Americana Award
  2. Pearl A. McHaney
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/ewr.2022.0008
  5. restricted access
  1. Reading "A Still Moment" in Everyman's Stories of Trees, Woods, and the Forest
  2. Andrew Hicks
  3. pp. 111-115
  4. DOI: https://doi.org/10.1353/ewr.2022.0009
  5. restricted access
  1. New Introductions to Welty's Works: A Contemporary Reframing
  2. Sarah Gilbreath Ford
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/ewr.2022.0010
  5. restricted access
  1. Welty at Home, or How I Learned to Love the Zoom Room: A Note on the Eudora Welty House & Garden's "Welty at Home: Virtual Book Club" (2020–2022)
  2. Jacob Agner
  3. pp. 123-128
  4. DOI: https://doi.org/10.1353/ewr.2022.0011
  5. restricted access
  1. Haunted Property: Slavery and the Gothic by Sarah Gilbreath Ford (review)
  2. Jill Goad
  3. pp. 129-134
  4. DOI: https://doi.org/10.1353/ewr.2022.0012
  5. restricted access
  1. Exposing Mississippi: Eudora Welty's Photographic Reflections by Annette Trefzer (review)
  2. Keri Watson
  3. pp. 135-140
  4. DOI: https://doi.org/10.1353/ewr.2022.0013
  5. restricted access
  1. Eudora Welty Foundation 2021 News
  2. Jeanne Luckett
  3. pp. 141-146
  4. DOI: https://doi.org/10.1353/ewr.2022.0014
  5. restricted access
  1. Eudora Welty House & Garden
  2. Lauren Rhoades
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/ewr.2022.0015
  5. restricted access
  1. Eudora Welty Society
  2. Annette Trefzer
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/ewr.2022.0016
  5. restricted access
  1. Eudora Welty Collection: Mississippi Department of Archives and History
  2. Forrest Galey
  3. pp. 155-165
  4. DOI: https://doi.org/10.1353/ewr.2022.0017
  5. restricted access
  1. Checklist of Welty Scholarship 2021
  2. Catherine H. Chengges
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/ewr.2022.0018
  5. restricted access

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